拥有一个每天耍贱整蛊妹妹、新包侠迷毫无家庭感的哥哥是一种什么感受?油炸还是蒸锅?时秒只希望哥哥时分彻底消失!新包侠迷连珍贵的生日愿望都是“快把我哥带走”。不料愿望成真,哥哥变成闺蜜妙妙的哥哥,时秒同情妙妙的同时心里暗爽摆脱“大魔王”!变成独生女的时秒感觉生活无限美好,但却发现时分除了整天和好基友甄开心、万岁插科打诨、整蛊妹妹妙妙之外,还隐藏着不为人知的秘密……
拥有一个每天耍贱整蛊妹妹、新包侠迷毫无家庭感的哥哥是一种什么感受?油炸还是蒸锅?时秒只希望哥哥时分彻底消失!新包侠迷连珍贵的生日愿望都是“快把我哥带走”。不料愿望成真,哥哥变成闺蜜妙妙的哥哥,时秒同情妙妙的同时心里暗爽摆脱“大魔王”!变成独生女的时秒感觉生活无限美好,但却发现时分除了整天和好基友甄开心、万岁插科打诨、整蛊妹妹妙妙之外,还隐藏着不为人知的秘密……
回复 :由伊桑·霍克指导的关于古典钢琴家、作曲家、作家、教师和圣人西默·伯恩斯坦的纪录片。
回复 :50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
回复 :一个男人因为凶杀案含冤入狱,而真正的凶手则逍遥法外。凶手是一位文人,对祖国接连不断发生的背叛事件和人心冷漠而感到心寒。身陷囹圄的男人在遇到一些奇怪神秘的事件后,感到牢狱生活似乎不再那么难以忍受。