剧情简介
故事讲述美国钻石商卢卡斯(基努饰)去西伯利亚做生意时，宅男宅女与咖啡馆店主卡佳(安娜·乌拉鲁饰)坠入情网，然而事态却步入危险。
宅男圣地宅女圣地
故事讲述美国钻石商卢卡斯(基努饰)去西伯利亚做生意时，宅男宅女与咖啡馆店主卡佳(安娜·乌拉鲁饰)坠入情网，然而事态却步入危险。
高阳
回复 :陈沫（许伟豪 饰）与刘雯（伊丽努尔 饰）两人大学毕业后，刘雯选择了出国进修而陈沫则进入社会工作，两人从此天各一方开始了长达两年的异地恋。随着陈沫工作的日益繁忙，以及刘雯学业压力的逐渐增加。两人的轨迹渐行渐远，话题也越来越少。一晃两年很快就过去了，虽然两人并没有提出分手，都还在坚持着彼此相信的那份感 情，但坚持似乎变成了僵持。就在刘雯毕业典礼的前夕，刘雯在跟陈沫视频通讯时，陈沫手机画面里却出现了另一名裹着浴巾，衣冠不整的香艳女子。刘雯伤心欲绝，向陈沫提出分手。陈沫为了挽回这段感情，立刻放下手中的工作飞往美国，并得知刘雯将前往纽约实习。陈沫连哄带骗，说是要开车送刘雯去纽约，以完成自己多年的承诺。原本以为是一条温馨浪漫的爱情之旅，却囧状连连，事态百出。两人被困荒野，午夜遭遇野兽突袭，命悬一线。陈沫为了保护刘雯身负重伤，奄奄一息。
汤盈盈
回复 :20世纪30年代，多灾多难的中华民族进入了最黑暗和痛苦的一段历史时期。狼子野心的日本帝国主义露出贪婪嘴脸，妄图消灭中华民族，侵占大陆。1933年，被人称作“张扒皮”的国民党29军37师师长张自忠（柯俊雄 饰）在长城喜峰口一战成名，随后荣升29军军长。平津一线局势凶险，中央奉行不抵抗政策，任凭日寇如何挑衅29军只能一忍再忍，咬紧牙关。1937年，日寇借口一名士兵失踪而悍然发动了震惊中外的七七事变。战争中29军副军长佟麟阁及师长赵登禹弃身捐国，张自忠则背负骂名担任了北平市的市长。正所谓“周公恐惧流言日”，一代名将所背负的使命是常人难以想象，而又值得后世子孙永远铭记的……
李风持
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
