有如秘境一般的荒郊野外，叠影逡巡着一个有些落寞的中年垂钓者。他的生活一团混乱，叠影老婆早先离家出走，女儿也患病在身。已过而立之年，却一事无成，俨然一个人生的完败者。他在岸边支起数根钓鱼竿，静静地等待鱼儿的上钩，然后恶狠狠地将它们切成块。太阳西垂，男人似乎没有返家的打算，依然故我地带在这片无人所在。突然，似有鱼儿咬钩，他奋力扯线，拼得精疲力竭，结果发现扯上来的竟是一具女尸（李贞贤 饰）。男人惊恐万分，想要摆脱反被鱼线将他和女尸紧紧缠绕。不久女尸活转过来，惊魂未定的男人又不得不经历一次无常轮回的生离死别……本片采用IPone4拍摄，并荣获2011年柏林国际电影节最佳短片奖。
拾叁
回复 :Martijn visits, after several years without contact, his sister Daantje. Daantje, just started to live on her own in Amsterdam. He tells her he is going to make a documentary from Daantje's live. Martijn enters her live with a videocamera. This creates a tension between Daantje and her brother, because he want to recall something which happend between them in the past. To keep Martijn at a distance Daantje starts a relation with Ramon. Then Martijn gets between them. He manage to talk her over to remember and talk over the things happend when they were kids. This helps him to overcome his obsession for his sister and after playing over the history he finally is able to see her without the videocamera like he did during the whole movie.
白智英
回复 :《喀比的前世今生》(44屆)及〈那條線〉(《湄公2030》一段)後，安諾釵繼 續她的獨步古今三鑒印:風景查察、場所辯證及電影式展述。來自劇場三男一 女出遊古道尋幽，河邊小屋有時排練有時夜話，一夜裏醉意交流情意浮現。另 一邊廂，林中有孤單女生潛行，是意識量子離留，抑或男生塵世之身聚成?無 主導敘事，分割畫面有意呼應，安諾釵的超世探索並非只破不立，答案可能就 在意識出入間。死亡鐵路之行，煙花散落，醒來一刻，時空因我牽動。
徐熙媛
回复 :在1940年代的澳大利亚，一个9岁的土著孤儿在深夜来到一个偏远的修道院，该修道院由一个叛逆的修女(凯特·布兰切特饰)经营。在这个关于精神斗争和生存代价的故事中，他的出现扰乱了这个微妙平衡的世界。
