剧情简介
本片改编自现代本格推理第一人绫辻行人的代表作，欧美讲述了在远离拥有十角形奇特外观的“十角馆”的角岛的“本土”，欧美以收到“死者的信”为契机，本不可能相遇的江南和岛田这对组合，在半年前去世的天才建筑师···开始调查中村青司死亡的真相，解开在“十角馆”发生的杀人事件所隐藏的令人震惊的真相。
欧美A级
本片改编自现代本格推理第一人绫辻行人的代表作，欧美讲述了在远离拥有十角形奇特外观的“十角馆”的角岛的“本土”，欧美以收到“死者的信”为契机，本不可能相遇的江南和岛田这对组合，在半年前去世的天才建筑师···开始调查中村青司死亡的真相，解开在“十角馆”发生的杀人事件所隐藏的令人震惊的真相。
胡佳琛
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
蒋志光
回复 :始于06年4月的警视厅搜查一课9系，在2016年4月正式开始了第11年的放送。在被揶揄没用其实才华横溢的系长加纳伦太郎（渡濑横彦）的带领下，性格迥异的6个人在搜查中各自为政，针锋相对。虽然如此，最终事件却总会在各自的热血和正义感中完美地解决。剧中不仅有扑朔迷离的案件，还描绘了每个sir生活中魅力的一面，也是一部醇厚的生活剧。（by 稻妻）
吴佩珊
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