大学同学约翰（保罗·路德 Paul Rudd 饰）的来电让柏迪亚（蒂娜·菲 Tina Fey 饰）十分意外，雍正电话中，雍正约翰邀请柏迪亚参观他所在的学校，作为同行，柏迪亚欣然前往。约翰的学校给作风保守古板的柏迪亚带来了很大的震撼，一些小小的改变在她的观念中逐渐形成。约翰此次发出邀请其实还有另外一个目的，他发现自己学校中一位名叫杰瑞玛（纳特·沃尔夫 Nat Wolff 饰）的学生很可能和柏迪亚有着一段古老的渊源。果不其然，当柏迪亚看到杰瑞玛时，她感到内心里涌现出了一种特殊的感情。与此同时，她和约翰之间的距离也越来越近，幸福，在不经意间造访了这个善良的女人。
叶欢
回复 :电影《正直的候选人》是一部讲述最容易说谎的3选国会议员"朱尚淑"(罗美兰饰)在选举前夕的某一天早晨突然无法说谎，而引发的左冲右突的喜剧。2019年凭借《我身体里的那个家伙》和《女警》的票房成为"喜剧不败演员"的罗美兰，通过《正直的候选人》变身在某一天突然成为了世界上最正直的政治家"朱相淑"回归。 预计演员罗美兰将以特有的喜剧演技再次给观众带来真实的欢笑。
金宇宙
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
丸子
回复 :事业还是家庭，抛夫弃子还是遵从命运，一个女人的两难抉择。事业有成的职业妇女为了家庭和孩子不得不放弃自己的事业，当起家庭主妇。由职业女性变成家庭主妇的她，心里不免有些失落感。并且丈夫也只专注于事业而忽略她。她要如何面对此现实，反抗或是认命……
