十九世纪六十年代的布拉格：性工巴尔丁是个受欢迎的英俊学生，性工他是镇上最厉害的击剑手。他和他的朋友达尔，都喜欢店主的侄女莉迪亚。当学生们帮莉迪亚庆生时，歌剧明星茱莉亚来到了旅店。巴尔丁平静的生活开始发生变化。他迷恋上茱莉亚，但茱莉亚已经有了一位仰慕者，就是富有的花花公子沃迪思男爵。一个穷学生要怎样与之竞争？这时，神秘的卡皮斯医生出现了，他似乎与茱莉亚有千丝万缕的联系，而且深深的嫉妒着沃迪思男爵。卡皮斯医生为巴尔丁指引了一条道路，却要巴尔丁付出的超乎想象的代价，他的风险他的理智他的生命，甚至是他的灵魂……
戴梦梦
回复 :故事发生在1872年的伦敦，一间俱乐部中，一位名叫福格（大卫·尼文 David Niven 饰）的绅士打了一个没有人认为他能够获胜的赌，那就是在八十天内环游世界。之后，福格便带着随从巴斯帕图（莫莱诺·马里奥 Mario Moreno 饰）匆匆的上路了。他们首先来到了法国，然后途径西班牙，在欣赏了一场精彩的斗牛之后，两人辗转前往瑞士，而此时，尚不知情的两人却遭到了伦敦警方的怀疑，怀疑他们是一宗银行抢劫案的嫌犯。在印度，福格救下了出逃的公主奥达（雪莉·麦克雷恩 Shirley MacLaine 饰），后者亦加入了他们的旅程之中。之后，三人横渡大西洋，轰轰烈烈的照着目的地赶去。福格能否在规定的时间内完成他的承诺呢？
范广惠
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
伊雪莉
回复 :《心中观世音》是一部解读中国传统文化，宣扬和谐理念的影片。 影片主要讲述了中华民族的观音信仰、普陀山的由来和“和谐济世、扶危济困”的观音文化的演变与传承，诠释了千百年来人们为完善道德品质所追求的目标，反映了佛教从古印度传入中国，再东传到朝鲜和日本的文化史，不仅收入以前人所未知的若干资料，导演和编剧还率摄制组远赴甘肃敦煌、山西云冈、西藏拉萨、四川大足以及印度和日本拍摄。影片打破一般宗教题材的惯例，着重从文化的角度去点染观世音，从世俗的角度去介绍观世音，特别着重介绍观世音身上反映出的种种文化现象和中华民族心中那种大慈大悲的价值观。并通过蒙太奇的手法，把美丽的观音故事、丰富的观音文化，艺术地呈现于银幕，让观众撩开佛教上空袅袅飘荡的五彩祥云，深刻体味佛教独特的色空世界。片中的佛教渊源、佛教与中国多元文化如何碰撞、交融的历史嬗变，还着重表现了佛教对现代人的生活如何产生着影响。影片由“五个一工程奖”获得者、国家一级导演张鑫先生执导，片中解说由著名演员濮存昕担纲，值得期待。 影片在审片阶段就获得了影视主管部门及宗教界等各界人士的高度赞扬和一致好评，相信对广大观众来说也将是一次难得的心灵体验。
