草草结束工作，久久久无只想赶回家休息的医院胸腔科主治医师夏正（王柏杰 饰），久久久无在离开医院后，却因为一位车祸重伤的急诊病患而被紧急召回。夏正的病患，同时也是八卦媒体记者的金有中（薛仕凌 饰），因收到风声听闻有不知名病毒在各大医院爆发，为了挖掘独家，积极的想找出感染源头，而千方百计住院；另一方面，男护理师安泰河（曾敬骅 饰）与实习医生李心妍（项婕如 饰）为彼此相爱的热血医护人员，对自己的工作十分有热忱，在医院一待就是好几天。他们，在病毒爆发时，不但遇上了无预警的封院，也面临了被吞噬的人心。在大家都有可能染疫的情况下，医生、记者、医护人员究竟该自保还是救人？并在这个逐渐分崩离析的医院、制度与人心中存活下去？
戎梵
回复 :內容簡介:皇上駕崩, 太子元勾結國丈謀奪太子華的帝位。書生畢明偶然得悉篡位陰謀, 施計混入宮中, 得嫦娥仙子暗賜寶帶, 變身神力勇士, 保護冰雲公主。明妹蓮香卻遭國丈拘禁, 香情人季祥潛入宮中相救, 亦失手被擒。番邦鐵塔王子前來向雲逼婚, 被明打傷。明無意間脫下寶帶, 即變回文弱書生, 反被鐵塔擊敗, 與春、祥、雲等同遭囚禁。幸嫦娥再度送贈寶帶, 明回復神力, 率眾大敗奸黨。最後, 華登基, 明與雲喜結良緣。英文名称：The Super Hero Plunders the Palace地區: 香港語言: 粵語片種: 戲曲Release Date: 03/21/1963導演：陸邦編劇：司徒安監製：陳素華演員：任劍輝、鳳凰女、周劍鳴出品公司：必德攝影：黃文生錄音：鄺良場記：梁卓服裝：黎珠燈光：趙池安化妝：謝澤源
姜鹏
回复 :影像诗人叶觅觅拍摄的实验MV〈南无捡破烂菩萨〉，充分体现台湾庶民文化，打开新的纪录视野，获女性影展评审团特别奖。今年她再探剧情与实验片的疆界，新作〈四十四只石狮子〉透过超现实荒谬剧的诗性对白、特殊的葬丧仪式等拼贴笔法，汇流成多段繁花盛开、探讨「死亡」意义的生命之歌。由诗人鸿鸿监制、「王榆钧与时间乐队」歌手王榆钧鼎力献唱，谱出奇异调性，〈四十四只石狮子〉三段「如梦般的现实」，穿插云林口湖牵水(车藏)仪式、花莲超荐拔度法会、印度尼西亚原住民族托拉查族的葬礼等死亡仪式，致敬影像大师洛伊安德森《鸽子在树枝上沉思》。其中「男人与算命仙」片段，算出「明日死期将至」的男人，却希望可以「延后」生命到期的日子，叶觅觅将人们对于「活着」的焦虑，化作一幅幅荒谬敏感的浮世绘。
杨丞琳
回复 :A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.- JohnHowardReid, imdb
