梓旭
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:一部纯粹讲述河南人自己的故事这是一部纯粹的河南制造,故事是河南的,编制是河南的,导演也是河南的,演员还是河南的,尽管友情出演的大腕家住北京,追溯历史祖籍还是在河南。当爱是一种痛苦时,被爱也是一种痛苦。电影围绕着“富二代”郑满仓对女友执着的追求好关依依赌气的一句话,拉开了全篇的序幕:郑满仓为了完成对关依依的承诺,邀请明星大腕做主婚人,伴郎、伴娘,拿出了1000万举办婚礼。婚庆公司如天上掉馅饼,组织全体人员精心策划,并三进京城邀请明星大腕,几经周折终于完成了这桩“婚事”,可就在婚礼当天出现了大穿帮,请来的明星大腕竟然是一帮模仿秀,婚礼在人们的议论和嘲笑声中不欢而散。这场风波过去了,它告诉人们一个哲理:金钱不是万能的,爱用钱时买不到的,它需要真情的付出,它还需要有缘……
贯家郡
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:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.