罗伯·巴拉德是全球著名的深海探险家，免费美他曾于一九八五年运用深海摄影小艇拍摄铁达尼号在海底的情形；他曾参与百余次深海远征。黑海幽魂有一座海洋比世上所有海洋更加神祕，免费美历史在此扬帆启航，却从未靠岸抵达，完美保存至数百年后的现在。黑海是沉船宝库，这些古船冻结在时间中，海洋考古学家仍难以深入海底探索。因此海洋地质学家罗伯巴拉德再度造访黑海，想瞭解为何1500年前的沉船仍保持完好，彷佛昨天才沉没海底。而这艘船又藏有什么祕密？铁达尼号的核子祕密史上最大的远洋轮，却成为20世纪一场神祕大海难的......
群星
回复 : 在习近平总书记提出“精准扶贫”重要理念十周年之际，在“精准扶贫”重要理念首倡之地湘西吉首，选取湖南湘西在脱贫攻坚和乡村振兴工作中涌现出的先进典型人物代表，通过文艺的方式进行艺术化的呈现，充分展现全国各族儿女紧密团结在以习近平同志为核心的党中央周围，攻坚克难取得脱贫攻坚的胜利、砥砺奋进不断实现乡村振兴、团结一致以中国式现代化全面推进中华民族伟大复兴的历史壮举。
美声男伶
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
人山人海
回复 :牛奶是什么？在过去几百年中，奶牛走过了怎样的历程，才使得牛奶从牧场来到人们的餐桌？牛奶曾经是奢侈品，是上等人的专属，牛奶曾经是特殊的供给物资，帮助哥伦布发现新大陆，帮助美国南北战争的北军战胜了南军，牛奶的保鲜方法是对科学技术发展过程的一次记录。该片分别从牧场和工厂两个方向，在中国、新西兰、荷兰、法国、美国等地进行了大量拍摄，透视牛奶作为一种现代人日常食品的演进历程，具有较强知识性。
