朱老师（吴耀汉 饰）曾在圣育强中学执教五十年，人生因他作风开明，人生鼓励学生接触两性知识，在不同年代的学生中间都颇受爱戴。在朱老师八十寿辰之际，他的几个学生出面为其联合庆祝。其中有在外强硬家中温顺的委员吴郁仁（曾志伟 饰）、获奖无数的影帝张秋云（詹瑞文 饰）、知名妇科医生傅武琛（王晶 饰）、频频被人拆穿的“玄学大师”司徒奇峯（杜汶泽 饰）以及舞蹈教师林查理（狄易达 饰）。五人将朱老师带到江门祝寿，偶遇五名正在酒店拍照的嫩模（周秀娜、杨梓瑶、徐自贤、朱裕琳、江怡 饰），六人随即春心大动，不料朱老师因兴奋过度身亡，临终前嘱咐五人代己寻欢。五个学生领命，开始背着各自老婆，与五名嫩模发展婚外激情……
呼斯楞
回复 :以女孩阿尔菲为原型，该片讲述的是17岁的乔安娜的故事，她个性、时髦，决心在伦敦的花花世界里做一个感受新生活的艺术生。吉妮维夫·怀特倾情出演了该片。片中有激情的游戏、也有多彩的黄粱一梦，还有跟温文尔雅的皮特·桑德森（唐纳尔德·萨瑟兰德精彩演绎）突发奇想的摩洛哥之旅。而当乔安娜爱上戈登之后，也是在塞拉利昂，她的生活才真正变得完整。
郑希怡
回复 :Anna is 60 and her acting heyday is now behind her. She lives on her own but has a friend and confidant in her downstairs neighbour Michel, who is also single. Reluctantly, Anna accepts a job as a language coach for 17-year-old Adrian who has a speech impediment and is something of a misfit. She recognises him as the boy who recently snatched her handbag in the street ...“Irresistible” is the term that springs to mind when describing this light-footed and humorous story of an impossible love affair between a thief and a lady. Director Nicolette Krebitz handles the fragile balance between the dictates of society and the heart with great care. The fresh breath of freedom blows through a narrative that makes room for a nod to old West Berlin, some gentle teasing of Germany’s French neighbours, and even a ghost that is chased away to make way for new possibilities. But most of all, A E I O U is a passionate love letter to Sophie Rois and, perhaps through her, all the brilliant actors neglected by an industry all too fond of young blood. Well, it turns out that these young players, embodied here by newcomer Milan Herms, not only look up to their more experienced peers, they truly love them.
文嘉煊
回复 :My film diaries 1970-1979: my marriage, children are born, you see them growing up. Footage of daily life, fragments of happiness and beauty, trips to France, Italy, Spain, Austria. Seasons of the year as they pass through New York. Friends, home life, nature, unending search for moments of beauty and celebration of life friendships, feelings, brief moments of happiness. The film is also my love poem to New York. It’s the ultimate Dogme movie, before the birth of Dogme. —Jonas Mekas
