刚刚结束一次危险任务的津海市缉毒大队队长张雷（孙红雷 饰），美狄在医院意外见到因车祸入院治疗的香港人蔡添明（古天乐 饰），美狄身经百战的张队迅速判定蔡与毒品勾当有关。通过对蔡的审讯得知，有一车来自粤江的冰毒当天抵达津海，即将和当地的贩毒分子哈哈哥交易，而蔡正是双方联络的中间人。为保住性命，蔡添明积极配合，协助张队伪装成粤江赫赫有名的大毒枭黎振标的侄子与哈哈碰头。随后缉毒大队一路南下，途经蔡在鄂州的毒品加工厂，并最终抵达粤江与黎振标交易。周旋在狡猾凶狠的犯罪分子中间，任是经验丰富的张队也必须步步为营，小心应对。经过一番凶险的试探，双方终于迎来交易的最后时刻，但此时这盘杀机四伏的棋局也全然失去了控制……
高友振
回复 :展现了17世纪英国资产阶级革命（也可以说是世界历史）中最重要的一段历史时期，改革与保守势力之间的一场大决战。影片描述了奥利弗·克伦威尔推动并领导消弱专制王权、确立议会绝对权威斗争中的作用。从而最终奠定了延续至今的西方政体制度的基础。
劳伦希尔
回复 :本片曾获得99年澳洲电影金像奖最佳影片/导演/原著剧本/男配角/剪接…等十一项提名，由澳洲男演员希斯莱杰(Heath Ledger)片中饰演主角吉米。一个充满屎蛋风格的笨拙黑色喜剧。19岁的吉米(Heath Ledger)是个涉世未深的街头混混，原本在脱衣舞娘酒馆当保镖，因缘际会认识了甜美忧伤的雅丽媞(Rose Byrne)，纯真的爱情就此发酵。然而，吉米因为答应镇上黑帮毒虫老大旁多一件差事，途中却因两个半路杀出的贼小孩，差点丢了性命。吉米的决定、两个小孩的未来…导演用超现实阴阳交错多轨的叙事情境说故事。究竟是福是祸，上帝与魔鬼，邪恶与纯真的界线在哪里？吉米最后该如何决定摆脱命运呢？
台风
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
