IT狂人再度袭来，亚洲Moss，亚洲Roy和Jen第四季强势回归。剧中他们依然在公司地下室的IT部门工作，依然会常常遇到各种各样的爆笑事件。Jen（凯瑟琳·帕金森 Katherine Parkinson 饰）想挑战自我，自荐担任公司的娱乐总监一职，然而其他人并不看好她，包括她的上司Douglas（马特·贝里 Matt Berry 饰），Jen能否做好这个工作？与此同时，Roy（克里斯·奥多德 Chris O'Dowd 饰）失恋了，女友一声不吭地离他而去，这让他倍受打击，整天唉声叹气，大家对此束手无策。Moss（理查德·艾欧阿德 Richard Ayoade 饰）则遇上了好事，他在一个火爆的电视节目中赢得了冠军，还因此受邀到一家俱乐部，天才冠军们聚集一堂，Moss会迎来怎么样的天才对决？第四季的IT狂人，精彩纷呈不容错过。
踢窝客
回复 :
羊毛衫合唱团
回复 :楚生（吕昀峰 饰）跟随秦三爷（郭九龙 饰）在东北做白事行当，为各种各样的死者送葬发丧，在这过程中有很多古怪的丧葬奇闻出现，楚生作为职业白事人和前来探索奇闻的林记者一起走访民间，经历了一个又一个离奇诡异的民俗故事……
胡枫
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
