高中少女渚凛（杉本有美 饰）即将迎来16岁的生日，网恋但是她却发现自己的身体正悄悄发生着变化。生日当天，网恋凛受到强烈刺激，右手变成了削铁如泥的魔爪。仓皇回到家中的她从父亲洋二郎（津田寛治 饰）口中得知，自己竟是变异人“蛭子”的族人。接着她眼睁睁看着父母被隶属于日本政府的特种部队杀害。愤怒的凛唤醒了身体内的魔性，在家乡附近的商业街大开杀戒。此后凛遇到蛭子一族的美男子首领如月（坂口拓 饰）和高中女生玲（高山侑子 饰），如月发誓建立一支足以与人类抗衡的战斗少女部队，而玲正是这群蛭子女孩的战斗教练。种族战争一触即发……本片分为三章，各由坂口拓、井口昇、西村喜廣三位导演执导。
童丽
回复 :该片讲述了井冈山斗争时期，毛泽东率领红军，为突破国民党反动派的经济封锁，保证井冈山革命根据地物资供应和部队给养，在遂川草林创建第一个红色圩场的艰辛实践和光辉历程。该片将再现遂川的红色历史，展示龙泉儿女的革命情怀。
中尾谕介
回复 :文革中，农村青年赵天佑，因家庭出身为地主，差点沦落为神经病，无奈中入赘山区柳沟河。改革开放后，当选为村委会主任。在爷爷帮助过的长工儿子的帮助下，做起了中药材生意，几年功夫，柳沟河人靠种植中药材发家致富，赵天佑也因此成为农民企业家。常务副市长王华林看到了其中的发展前景，把文阳县开发区升级为云水市中药材开发区，极力主张中药材深加工。王华林后来被冒牌港商茹丽华拉下水，帮助她在云水市玩“空手道”套取资金。农民企业家赵天佑中了茹丽华的美人计，茹丽华骗走了柳沟河农民的中药材，然后潜逃。赵天佑迫于道德压力与法律追问，大雪天跳崖自杀。
姚小龙
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
