剧情简介
影片讲述了一个电梯无故困人杀人的故事。纽约著名地标建筑----千年大厦的电梯突然失控，骚女一名盲人和保安先后因此离奇毙命。这仅仅是突发事故吗？女记者詹妮弗对此展开调查，骚女设法解开电梯神奇行为背后的秘密。然而，随着她调查的深入，因电梯而死亡的人数越来越多，调查也演变为一场意想不到的噩梦……
骚女人av在线
影片讲述了一个电梯无故困人杀人的故事。纽约著名地标建筑----千年大厦的电梯突然失控，骚女一名盲人和保安先后因此离奇毙命。这仅仅是突发事故吗？女记者詹妮弗对此展开调查，骚女设法解开电梯神奇行为背后的秘密。然而，随着她调查的深入，因电梯而死亡的人数越来越多，调查也演变为一场意想不到的噩梦……
大芭
回复 :在看似平常的合租公寓里，住着两个不普通的年轻人，他们一位是怀揣演员梦想、潇洒不羁的阔少王子皓，一位是失业低迷的高傲女强人梦露。梦露因为囊中羞涩而招租离家出走的王子皓，没想到本来安静的生活从此便被近乎疯魔的王子皓打乱了阵脚，梦露想赶走王子皓，但又忌惮于高额的违约金，于是便请来男闺蜜马兵入住，计划让王子皓不战而退，两人协同作战，想尽了一切恶搞大法，却发现这些手段对王子皓毫无作用力，反而遭受了对方的恶搞回击，苦不堪言，在此期间马兵发现了王子皓的秘密，原来……
黄蓝白
回复 :著名化妆品公司的社长美轮（观月亚里莎 饰）有着不为人知的过去。曾经，她在一家整形医院里担任清洁工的职务，并且对自己并不美丽的外表感到深深的自卑。一天，整容医生义彦（寺岛进 饰）找到了美轮，提出让美轮成为自己的实验品，免费帮美轮进行整容手术。最终，手术大获成功，而已经脱胎换骨变得美艳不可方物的美轮顺理成章的嫁给了义彦。婚后没多久，义彦便露出了自己的真实面目，控制欲极强的他天天虐待和禁锢着美轮，令后者苦不堪言。在这个节骨眼上，美轮遇见了名为武治（山本耕史 饰）的园艺师，脆弱绝望的女人找到了生命中唯一的希望。
乔许葛洛班
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
