1949年解放前夕,为歌曾联松还是上海一家通讯社的职员,为歌当他看到报上征集新国旗的启示,就设计了一幅国旗图案寄到北京。没想到他设计的五星红旗被选定为新中国的国旗。半个世纪过去了,曾联松与所有的中国人一样伴随着共和国走过了艰辛的历程,所不同的是,他与这面旗更有许多特殊情感。
1949年解放前夕,为歌曾联松还是上海一家通讯社的职员,为歌当他看到报上征集新国旗的启示,就设计了一幅国旗图案寄到北京。没想到他设计的五星红旗被选定为新中国的国旗。半个世纪过去了,曾联松与所有的中国人一样伴随着共和国走过了艰辛的历程,所不同的是,他与这面旗更有许多特殊情感。
回复 :《熱線訴心聲》是由白韻琴主持的戲劇節目,每集先由琴訪問各類人仕,像是失婚婦人、未婚媽媽、專業舞蹈表演者、小兒麻痺患者、電台節目主持人、職業模特兒、歌星等等,他們
回复 :编剧刘向上日常时间安排相对自由,在家里负责儿子果宁、女儿果宝的教育陪护,妻子戴静选择在薪酬较高的外地公司打拼。随着双减政策的落地执行,原来的计划安排都势必进行调整,夫妻俩在对政策的认知、理解等方面出现分歧。家长群里,来帮忙的老父亲刘学广表示不该减少作业量,还有个别家长质疑学习成绩与考试结果,戴静受这些影响放弃外地高薪职位回到家人身边陪伴孩子成长。一系列事件发生后,他们才明白了教育需要德智体美劳全面发展。四口之家都在学习中享受快乐“双减”,共同成长。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?