建筑师John Baxter（唐纳德·萨瑟兰 Donald Sutherland 饰）与其妻子Laura（朱莉·克里斯蒂 Julie Christie 饰）育有一男一女。有一天，口袋女儿莫名其妙地溺水身亡。Laura沉浸在悲痛中。John因为工作原因，口袋带着Laura来到威尼斯，进行一个教堂的修缮工作。在那里，Laura认识了两个老妇人，里面有一个盲人，据说能通灵，能看见Baxter夫妇的女儿。Laura晕了过去，醒来之后却摆脱了女儿死亡的阴影。通灵的老妇人告诉Laura，如果John继续留在威尼斯的话，会有危险。Laura劝John赶紧离开，John却不相信所谓通灵，继续留在威尼斯进行工作。果不其然，John在工作中发生了意外，而他们在英国读书的儿子病倒了。Laura急忙搭飞机回国，而John却在威尼斯发现Laura跟那两个老妇人在一起。发生在威尼斯的这个故事变得越来越扑朔迷离......本片在Time Out 2011“史上最佳100部英国电影”中排名第一。
筷子兄弟
回复 :一个邪恶的生育实验创造了一代扭曲的孩子。 一个无情的女人在破坏这些突变的婴儿之前已经做好了这件事，摧毁了这个世界！ 一个母亲和她唯一的朋友在爱之间被撕毁了这个变形的人的排斥，并准备为了生存而战，但这个宝宝不需要爱。 它被编程为不惜一切代价生存。
冯玮君
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
神秘失控人声乐团
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