剧情简介
在俄国革命的余波中，欧美Alexander Rostov伯爵发现自己光鲜亮丽的过去将他置于历史的错误面。没有被立刻处决的他，欧美被苏联革命法庭放逐到了大都会酒店的阁楼中，如果他再次踏足户外，将面临死亡。时光流逝，酒店外的俄国经历了最动荡的几十年，而Rostov所处的受限境遇，则让他的精神得以进入一个更为广阔的天地。随着他在酒店内建立起新生活，Rostov发现了友情、家人和爱的真正价值。
欧美亚洲日韩二区另类图
在俄国革命的余波中，欧美Alexander Rostov伯爵发现自己光鲜亮丽的过去将他置于历史的错误面。没有被立刻处决的他，欧美被苏联革命法庭放逐到了大都会酒店的阁楼中，如果他再次踏足户外，将面临死亡。时光流逝，酒店外的俄国经历了最动荡的几十年，而Rostov所处的受限境遇，则让他的精神得以进入一个更为广阔的天地。随着他在酒店内建立起新生活，Rostov发现了友情、家人和爱的真正价值。
李易珊
回复 :民在（李昌勋 饰）和贤奎（金承秀 饰）虽然是没有血缘关系的两兄弟，但彼此之间的感情却十分要好。虽然民在一直表现的十分优秀，深得家人的喜爱，但他却始终无法获得奶奶的认可，这让他觉得十分苦恼。一天，民在和贤奎结识了名叫慧兰（孙泰英 饰）的女子，慧兰有一个不负责任的父亲，所以长期肩负着照顾和赡养家庭的责任，感到十分疲惫。善良温柔又贤惠的慧兰吸引了兄弟两人的注意，他们两个同时爱上了慧兰。民在知道，其实在慧兰的内心里，对贤奎充满了好感，然而他并不知道的是，贤奎的母亲之死，和慧兰的父亲有着千丝万缕的关联。
王凡瑞
回复 :
伊娃卡斯迪
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
