剧情简介
农民拉条子（陈建斌 饰）在镇上遇到一个讨饭的傻子（金世佳 饰），天妖傻子跟着他回了家。拉条子贴了寻人启示，天妖不久有人认领了傻子。紧接着又有自称傻子的家人陆续出现，说拉条子把傻子卖了。麻烦接踵而至，拉条子自知上当受骗却有口难言，他想不明白，好事怎么就成了坏事？他开始以一位农民最淳朴的办法想自证清白。而为了寻找傻子，他成了另一个到处缠着别人的傻子……影片根据短篇小说《奔跑的月光》改编，陈建斌自编自导自演的处女作。
天妖归来
农民拉条子（陈建斌 饰）在镇上遇到一个讨饭的傻子（金世佳 饰），天妖傻子跟着他回了家。拉条子贴了寻人启示，天妖不久有人认领了傻子。紧接着又有自称傻子的家人陆续出现，说拉条子把傻子卖了。麻烦接踵而至，拉条子自知上当受骗却有口难言，他想不明白，好事怎么就成了坏事？他开始以一位农民最淳朴的办法想自证清白。而为了寻找傻子，他成了另一个到处缠着别人的傻子……影片根据短篇小说《奔跑的月光》改编，陈建斌自编自导自演的处女作。
颜福伟
回复 : 女人（姜盛弼 饰）如愿和自己心爱的男人（李圣涛 饰）携手步入了婚姻的殿堂，可是，本以为会迎来美满生活的女人却发现，婚后的种种，竟不如自己想象中的十分之一美好。失望和绝望混合在一起，压在女人的心上，令她感到无法呼吸，精神和婚姻都走到了濒临崩溃的边缘。 女人想到了和自己情同手足的妹妹（姜恩惠 饰），巧合的是，她恰好是一名心理治疗师。于是，女人找到了妹妹，想向她寻求帮助。在妹妹的帮助之下，女人发现了隐藏在丈夫内心深处的秘密，那就是他对于性感而又火辣的妹妹一直心存着非分之想。面对如此棘手的困境，妹妹会做出怎样的选择呢？
绿洲乐队
回复 :1958年拍摄的铁达尼号沉船灾难故事片旧版。这是一部载入史册的影片；本片描写了1912年号称“世界之最”的英国豪华游轮“泰坦尼克”号的“处航”因撞冰山沉没的情景，真实而生动的刻画了不同身份、不同阶层的人物，以及在“泰坦尼克”号沉没过程中，他们所表现出来的各种精神面貌 。
柳时元
回复 :This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
