杰克（艾沃·皮茨克 Ivo Pietzcker 饰）跟弟弟一起和母亲过着相依为命的生活，微杏杰克的母亲是一个极为不负责任的女人，微杏白天工作结束后，她便乔装打扮外出找乐子，照顾弟弟的全部责任就落在了杰克一人的身上。杰克对母亲身边经常更换的男友抱有强烈的敌意，母子之间的感情因此十分脆弱。某日，杰克的弟弟不幸被烫伤，社会福利机构勒令母亲必须将两个孩子之一送往福利院，母亲选择了杰克。在福利院里，杰克日日夜夜的思念担心着母亲和弟弟，终于，逃跑成功的他返回家中，却发现母亲丢下了弟弟不知所踪。带着弟弟，杰克踏上了充满了危险和未知的寻母之旅。
蒋志光
回复 :朱志根（李保田 饰）和崇义（秦昊 饰）虽身为父子，但彼此之间关系却十分淡漠，甚至到了互不理睬的地步。虽然倩影（李小冉 饰）几次想要调解公公和丈夫之间的矛盾却均以失败告终。与此同时，倩影和崇义之间的夫妻情谊亦因为繁忙的工作和缺少沟通而产生了裂痕。朱志根有一个未了的心愿，那就是把过世的妻子送给他的夜莺带回妻子长眠的那片土地，并且在妻子的坟墓上将夜莺放生。一番波折和意外之后，朱志根带着孙女任幸（杨心仪 饰）踏上了前往老家阳朔的旅途。这段旅途注定不会太平，接二连三的意外发生之后，这一老一小能否顺利的抵达目的地呢？
钮大可
回复 :这部纪录片讲述了两位韩国性少数人士的母亲为争取性少数平等权益而做出的抗争和她们理解孩子的心路历程：当Nabi的孩子Hankyeol向她出柜为非二元性别的跨儿（以及一名践行多角关系的无性恋者），Nabi试图理解孩子的身份以及ta面对的困难；Vivian的儿子Yejoon向她出柜为男同性恋之后，她从不知所措到逐渐接纳儿子的性取向，并最终决定以自己的实际行动去支持他，让更多拥有类似经历的人生活在一个更包容的社会。
何婉盈
回复 :本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ，香港中文大学、 第二届中国民族博物馆 永久收藏奖 。有意想观看的，可联系版权方微信：1714371600《加一》颠覆大众对留守儿童的固定思维，以独特的视角呈现最真实的留守儿童生活。加一是一名留守儿童，父母常年在外打工，每次短暂的相聚都会牵动加一幼小 的心灵：长途 跋涉和爷爷去看望在外打工的父母，离别时躺在爸爸腿上静静落泪；春节过后妈妈提前出去打工，没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续，忍受过难尝的别离滋味后，依然要忘掉烦恼，快乐地和同学玩耍，淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间，就这样在痛与乐中成长着。留守儿童并不是“苦逼”的代名词，他们有他们的快乐，有他们的纯真，他们也确实要忍受不一样的孤独和无奈。大时代下的小人物，他们的生存状态是这个时代的特殊印迹。The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
