剧情简介
举报别人易，日韩举报自己难。影片讲述的是一个让上司拉下水的受贿者，日韩在政策的高压及良知的召唤下，几经挣扎，进行自我举报，最终完成了自我救赎的过程。
日韩欧美高清无卡免费视频
举报别人易，日韩举报自己难。影片讲述的是一个让上司拉下水的受贿者，日韩在政策的高压及良知的召唤下，几经挣扎，进行自我举报，最终完成了自我救赎的过程。
糯米团
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
高菲
回复 :托马斯是位年逾花甲的医生，没有宗教信仰。他一直怀疑自己身患重病。于是，他开始思考生与死的意义。答案——或者说迹象——出其不意地始于医院监护室……影片题目灵感来源于华沙的城市墙壁涂鸦。生命是悲剧性的矛盾体，本身就是通往死亡的旅程。赞努西作品《爱在山的那一边》同一个故事的另一个版本，剧情的重心转到了意外发现自己罹患绝症的老医生身上。透过主角的挣扎，这部探讨生命、死亡、爱与救赎的「临终电影」，沈稳有力地道出赞努西对哲学与伦理学的省思，参与过不少赞努西电影的老牌演员Zbigniew Zapasiewicz表现可圈可点。《爱在山的那一边》:年轻的男主角，挣扎于应该改作服侍上帝的修士，还是回到医学院继续未完成的学业，他千方百计地寻找答案，甚至以危险的方式试炼自己，结果不但让相依为命的哥哥担忧，也连带影响了他和女友的感情。他向一个偶然认识的老医生提出他的疑惑，没料到这位步入生命终结的老人，在最后一刻意外帮助了男主角从自己强加的道德沮丧中挣脱出来。
车继铃
回复 :故事发生在公元1402年，燕王朱棣（张大可 饰）发动“靖难之役”夺其侄子明惠帝朱允炆（张大可 饰）帝位。登基后，为巩固统治，恐明惠帝余部反攻，复启用锦衣卫残杀前朝忠臣元老。锦衣卫指挥使青莲（徐子鹿 饰）奉命潜伏民间暗杀惠帝余党，不慎受伤，被离歌笑（实为惠帝）所救，养伤期间，两人暗生情愫。临别之际，离歌笑将其贴身玉佩赠予青莲。当青莲回到朱棣身边，被朱棣认出玉佩出处，生性多疑的朱棣便派遣青莲前去暗杀离歌笑。当青莲得知离歌笑便是惠帝时，该如何抉择？
