剧情简介
在解放战争中，涩爱如何拿下上海这座大城市是对中国共产党人的一道难关和考验。本片聚焦1949年5月到1950年5月的一年间，涩爱从政治、经济、社会三个方面讲述共产党人如何解放上海、接管上海并赢得民心。正如毛泽东同志所言：“我们不但善于破坏一个旧世界，我们还将善于建设一个新世界”。通过重温这段历史，从当年的创业奋斗中汲取营养和智慧，也是今天“不忘初心，牢记使命”之意。
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在解放战争中，涩爱如何拿下上海这座大城市是对中国共产党人的一道难关和考验。本片聚焦1949年5月到1950年5月的一年间，涩爱从政治、经济、社会三个方面讲述共产党人如何解放上海、接管上海并赢得民心。正如毛泽东同志所言：“我们不但善于破坏一个旧世界，我们还将善于建设一个新世界”。通过重温这段历史，从当年的创业奋斗中汲取营养和智慧，也是今天“不忘初心，牢记使命”之意。
钟汶
回复 : 2022微博视界大会·微光盛典，群星荟萃共同见证电视文艺作品发展，凝聚剧综行业力量，促进行业向上发展。
光磊
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
杨峻荣
回复 :该节目是一档城市诗意公寓生活沉浸体验真人秀，阮经天、张天爱与周奇一起在杭州租下一个公寓，来寻找内心的宁静、感受真实的生活，开启心中理想的桃花源治愈之旅。此外，他们也将迎接不定期到来的多位年轻的明星好友，依据不同嘉宾安排一段不同的舒适时光……
