心性孤傲的叶梅桂（林心如 饰）无意间邂逅独自来台北打拼的工程师柯志宏（钟汉良 饰），澳门本来柯借住在好友蓝和彦（马天宇 饰）家，澳门但与叶擦肩而过的一刹那，令他鬼使神差地搬进了叶梅桂出租的748号。蓝和彦料定柯志宏走火入魔，劝他三思而后行，但柯志宏分明从叶梅桂眼神中读出了灵魂深处的东西。白天，柯志宏与蓝和彦一头钻进缜密繁缛的工作中，收工回到748号，他享受得是另一种与叶梅桂在一起的只可意会不可言传的温暖与刺激，时常令他想起大学时代学姐跳《夜玫瑰》时那醉人曼妙的舞姿......
乩童秩序
回复 :影片表现了罗马郊区的青少年、妓女和拉皮条的人的生活，反映了流氓无产者和被社会所唾弃的人的生活世界。这部影片充满自然主义，高潮部分带有强烈的宗教狂热，穿插着梦幻，但又有明显的社会和心理特点，影片以主人公富有隐喻的死结束。导演在该片中大量运用了实际生活中的语言。
雀斑
回复 :Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summon ed to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: "Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one."In "Machorka-Muff," Mr. Straub, employing the cold, somewhat expressionistic but always loquacious approach of his other films, comes closest to underlining the almost subliminal irony of his themes. He briefly outlines, through the performance of Colonel Machorka-Muff, a former Nazi who is reinstated in the Adenauer regime, the unchanging thinking of the Nazi and/or the military mind. As the colonel of the title, Dr. Johannes Eckhardt is properly cold and convincing as the believer in the rights of the soldier. Although it is the shortest and earliest of Mr. Straub's films, it is both the most lucid of his works and the most clearly indicative of his potential as an imaginative filmmaker.
织田纯一郎
回复 :印度北钦奈地区，撞球球员阿布梦想成为世界冠军，却意外地卷入了帮派的地盘斗争中。面对尸横遍野，阿布拿起刀，刺向了某帮派头领的后背。当下发生的一切，始于1985年的一场争斗，而这场争斗，一直延续到了2002年，阿布的身份也一步步被揭开。影片是对黑帮题材的的创新处理，以阿布为核心人物，他既游离在各帮派的人物关系网之外，却又参与到各帮派的争斗中，在旁观者与参与者的身份转换间，强化了影片的黑帮色彩，更赋予了影片独特的质感。导演以慢镜来表现打斗细节，也为画面增添了诗意。贯穿影片始终的撞球，亦暗示着不同帮派之间的对垒。
