两夫妻过着平淡但还算快乐的生活,但一个神秘男子的出现,使妻子背叛了她的丈夫,女人与男子仿佛相见恨晚,但没过多久男子渐渐对女人冷淡了下来,这令女人伤心欲绝甚至想要自杀,丈夫知道后,虽然对妻子的背叛怀恨在心,但是毕竟夫妻一场,丈夫仍然爱着妻子,于是决定找男子报仇。
两夫妻过着平淡但还算快乐的生活,但一个神秘男子的出现,使妻子背叛了她的丈夫,女人与男子仿佛相见恨晚,但没过多久男子渐渐对女人冷淡了下来,这令女人伤心欲绝甚至想要自杀,丈夫知道后,虽然对妻子的背叛怀恨在心,但是毕竟夫妻一场,丈夫仍然爱着妻子,于是决定找男子报仇。
回复 :本片根据意大利真实事件改编而成。上世纪80年代初期,黑帮首脑多玛索·布西达从意大利移居巴西,然而远在意大利的自己的哥哥与孩子却相继被黑帮团伙杀害。为了惩治凶手,他开始与意大利警方合作,在两方的不断努力下,多玛索·布西达不仅抓住了杀害自己亲人的幕后黑手,并将意大利盘根错节的黑帮团伙连根拔起……
回复 :1970年代,山西某地。春节将至,妻子突然撒手人寰,把四个幼小的孩子留给了任建国(孙敏 饰),他不得已把先天患足疾的幼子送到福利院。福利院收留了孩子并取名党生53(廉冠 饰),后来党生53被骆驼房村耿二女(曹翠芬 饰)收养,并省吃俭用为渐渐长大的孩子治脚疾。可大夫说要治愈党生53的病要去北京大医院,治疗费要几千元,这可难煞了耿二女。她听云游道士(王哲 饰)的偏方为党生53治病,几个月下来自己也累病了。福利院大花(王玉芝 饰)闻讯,组织社会募捐帮助二女。在大同,党生53遭饭店老板儿子的欺负,恰巧老板正是当年遗弃儿子的任建国,当他发现受欺负的正是自己的儿子后,良心受到震颠。到达北京后,大夫说党生53的病治愈不了,二女闻言感觉天塌了一般......
回复 :"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum