振宇和百合是一对从小在孤儿院长大的朋友,振宇一心想娶千金小姐万诗娆为妻好混入上流社会,谁料百合却被万诗娆的哥哥万梓来强奸,振宇权衡各方利益,竟在法庭上出卖百合,百合心灰意冷,由爱生恨,决意复仇……
振宇和百合是一对从小在孤儿院长大的朋友,振宇一心想娶千金小姐万诗娆为妻好混入上流社会,谁料百合却被万诗娆的哥哥万梓来强奸,振宇权衡各方利益,竟在法庭上出卖百合,百合心灰意冷,由爱生恨,决意复仇……
回复 :主要从婆婆找上门“逼孕“开始,通过两个家庭对抗直到破裂,最后进入了杀机四伏的人世江湖。在挽救和堕落的这个基础上,将视野从家庭移开,递进到一个线状的社会里。在一条公路上、一辆汽车里、婆婆和女婿在寻找女儿和老婆的过程中故事由简入繁,连点成线,从家庭
回复 :阿格涅丝卡·霍兰([糜骨之壤])新片[江湖郎中](Charlatan,暂译)正式开拍,该片由伊凡·特洛伊(Ivan Trojan)、尤拉伊·娄伊(Juraj Loj)主演。影片故事根据草药医生Jan Mikolá?ek的真实故事改编,讲述尽管困难重重 ,他还是毕生致力于照料病人。该片计划于明年2月20日首映。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.