纸牌屋第二季
地区:欧美
  类型:年代
  时间:2024-11-24 09:46:46
剧情简介

毕业在即,纸牌陆慧琴演讲的一篇关于农村经济发展的研究论文受到了广泛的关注。众多企业向她抛出橄榄枝,纸牌但是她却坚定的拒绝了所有的邀请。在大家的追问下,陆慧琴不禁回想起之前所经历的事情。陆慧琴出生在一个偏远的山区,因为家里贫困,是村里的老村长陆德富资助她上了大学。离开村子的那天,陆慧琴告诉老村长爷爷,如果自己有出头之日,她想远离这个贫穷而又落后的地方。老村长爷爷听后一阵沉默,但是她只对陆慧琴说了一句话,“人要明白活着的责任和存在的意义”。陆慧琴大学期间有三年都没有回过家,因为每个假期她都要辛苦的打工赚取学费。这一天,她的母亲托人捎来了口信,陆德富因为日夜操劳身体出现了问题,陆慧琴这才决定回到那个她一直逃避的地方探望老村长。回到家后,陆慧琴本想劝说老村长不要如此操劳,但是因为看到村民们对老村长发自内心的敬重,这让她说不出来已经到嘴边的话。陆德富知道陆慧琴想说什么,他只是拍拍陆慧琴的肩膀让她安心。陆慧琴走在村子里,村民们之间的生活琐事让她回想到了很多。小的时候,她也曾给村民们惹下不少麻烦,但是依照村民淳朴的性格怕是早已经忘记了。陆慧琴路上偶遇发小柱子,他此时正在与村里的李铁新因为鸡毛蒜皮的琐事争吵。陆慧琴帮助柱子解决了争端,柱子热情邀请她到家里吃饭。柱子家里生活拮据,但是他们还是依旧还是做了几个菜。陆慧琴看着在一旁偷看桌上肉片的两个小侄子,心里似乎有些触动。陆慧琴和柱子谈了许多事情,也分析了村里的许多弊端。柱子很佩服陆慧琴的见识,但是在得知陆慧琴以后并不打算回来的时候,他只能按下了心里的许多念头。陆德富的身体慢慢有所好转,陆慧琴便有了离开的念头。这一天,陆德富带着陆慧琴在村里转了一圈,然后想听听陆慧琴的看法。陆慧琴从村里的基础设施,村民的文化素质,思想观念,生活方式等方面提出一些问题。陆德富提出想让陆慧琴毕业之后留在村里,带领大家走上致富之路,但是陆慧琴却迟迟没有说话。陆德富知道陆慧琴的心思,因为集体责任感和荣誉感是现在许多年轻人所淡化的。陆德富没有急着得到陆慧琴的答复,因为每个人都有选择的权利。老村长希望陆慧琴帮忙解决村民眼下的难题,帮助他们将粮食卖出去。陆慧琴看着老村长苍老的脸庞不忍心拒绝,于是答应了他的要求。陆慧琴通过现代信息技术帮助村民发展粮食渠道,这让村民们都深深的感激。帮助村民解决了眼下的难题,看着村民们脸上洋溢的笑容,陆慧琴心里感到无比的踏实。此时她似乎明白了老村长之前所说的话,“人要明白活着的责任和存在的意义”。陆慧琴结束了论文演讲,随后告别了老师和同学踏上了回村里的路。陆慧琴回到村里,承包了大片茶园,但是却受到李铁新的讥讽。李铁新没少给陆慧琴使绊子,但是陆慧琴却运用现代科学技术全部解决。陆慧琴没有再理会李铁新,反而雇佣了村里的妇女和老人采茶、炒茶。不仅陆慧琴茶园办的红火,这也让村民们额外多了许多收入。为了响应国家新农村建设的号召,发展农村经济创新,陆慧琴建议陆德富大力开展科技培训,劳动培训以及文化教育。村民的生活慢慢得到改善,陆慧琴的提议也在村民的积极实施。陆慧琴提倡农业多样化发展,因此不少心思活络的村民开始承包鱼塘、花卉大棚和果园等,王二、李铁新和柱子就是其中的佼佼者。村民的生活得到改善,陆德富却因为身体原因还是去世了。此时村里开始公开选举新的村长,希望能有人继续带领大家走向致富路。李铁新也是村里的致富好手,但是在公开选举中还是落败给了陆慧琴。李铁新心中并不服气,但是陆慧琴表示她如果不能让村民们过上好日子,她一定会辞去村长的职务。李铁新经过村里信息科技培训,很快联系到了花卉销售新渠道。此时他自信满满,一定会比陆慧琴更成功。与此同时,陆慧琴鼓励大家修路,但是李铁新却以劳民伤财为由想要弹劾陆慧琴。陆慧琴的用科学理念说服了村民,李铁新的想法再次落空。陆慧琴提倡大家学会运用现代化、工业化、机械化生产。陆慧琴还亲自进了城联系工厂,希望实现村里产业项目化运作。在老师与同学们的帮助分析下,陆慧琴还合理借助国家对农村农业的政策补贴,实现村里的合理化增值。村民们的生活稳步提升,大家都对陆慧琴心悦诚服。此时李铁新的销售渠道出了问题,很多花卉都被退了回来。李铁新心中着急,只能向陆慧琴求助。陆慧琴也并没有在意李铁新之前的所作所为,她联系工厂将李铁新的花卉收购加工,终于解决了李铁新的难题。李铁新改变了自己,开始帮助陆慧琴发展村子。在陆慧琴的带领下,农民的组织化程度和科技化水平逐渐提高。村民们都有了出头之日,生活也不再像以前一样拮据。陆慧琴远远看着自己村子的建设,脸上挂起满意的笑容。

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明星主演
成龙
小护士
茱莉戴克斯特
最新评论(195+)

吴佩慈

发表于3分钟前

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李琼

发表于1分钟前

回复 :导游顾嘉带领游客参观传奇科学家杜芬奇故居时,意外启动缩小对撞机,变成1厘米高的小人,在微缩世界经历了一场奇幻冒险之旅。


黑涩会美眉

发表于3分钟前

回复 :Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.


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