剧情简介
为了获得普利策奖，草榴一名记者谎称自己患有精神疾病，草榴而进入了疯人院，以此来调查一个谋杀犯。但当他逐渐接近那名凶手时，疯狂也亦步亦趋地慢慢侵袭到他的头脑......这部描写疯人院中离奇案件的影片充斥着塞缪尔.富勒锐利的愤怒色彩，令人不寒而栗
草 榴文学交流区小说
为了获得普利策奖，草榴一名记者谎称自己患有精神疾病，草榴而进入了疯人院，以此来调查一个谋杀犯。但当他逐渐接近那名凶手时，疯狂也亦步亦趋地慢慢侵袭到他的头脑......这部描写疯人院中离奇案件的影片充斥着塞缪尔.富勒锐利的愤怒色彩，令人不寒而栗
黎沸挥
回复 :根据巴金小说《憩园》改编。杨家原是当地显贵，儿子杨梦痴吃喝嫖赌，样样俱全，很快将家业败光，不得已把最后一座花园住宅--憩园卖给了姚国栋。杨梦痴虽悔，却无决心重新做人，终于流落街头，只有小女儿寒儿时常去探望他。一日，寒儿偷入憩园想为父亲摘几枝茶花，遭姚国栋前妻之子小虎毒打。国栋的续弦妻子万昭华很同情寒儿一家的遭遇，由此想到顽劣成性的小虎，决心负起母亲的责任，挽救小虎。然而她的苦心却得不到家人的理解，反遭多方奚落，使她十分痛苦。终于，小虎因行为不检，死于非命，昭华深受刺激，险些流产。至此，国栋愕然醒悟，夫妻俩亦和好如初。剧中一幕夏梦饰演的昭华抱着一本巴金的《家》看得掉眼泪，应该是朱石麟先生对巴金老先生的致敬吧。本片在今天来看，一些性格和道德的分明表现可能略显过时，录影棚的布景更是一眼就能认出来的人工布景，却别有一番文学的张力和神韵。
李基灿
回复 :内战连绵多年之后，一名尼泊尔共产党员终于收拾行囊，带著路上巧遇的孤儿返回偏远家乡，好为甫逝世的父亲奔丧。他的亲兄弟在内战中投入了敌对阵营，水火不容的两人只好约定暂时休战；妻子则生下了其他男人的女儿，小女孩却以为他才是自己的亲生父亲。在抬着遗体下山火葬的这趟险峻路程中，隐忍已久的对立衝突终于全面爆发。导演将延烧十年的尼泊尔内战巧妙纳入一场葬礼之中，在这座偏远山村裡，男尊女卑与种姓制度仍然根深柢固；来自外界的男主角儘管曾为现代普世价值而战，但为了替亡父完成葬礼，却不得不屈从于信奉古老习俗的村中耆老。现代与传统、宗教与世俗，甚至家庭与亲情、战争与和平，终将在这一面飘扬著白日的尼泊尔国旗之下疗伤癒合。
红蚂蚁
回复 :Howard Tyler (Frank Lovejoy) is a family man, living in California, who can't seem to get by financially. He meets up with a small-time, but charismatic, hood Jerry Slocum (Lloyd Bridges). Soon, Slocum convinces Tyler to participate in gas station robberies to get by. Later, they kidnap a wealthy man in hopes of getting a huge ransom. Things go wrong when the man is murdered by Slocum then thrown in a lake. Tyler reaches his limit emotionally, and he begins drinking heavily. He meets a lonely woman and confesses the crime while drunk. The woman flees and goes to the police.When the two kidnappers are arrested, a local journalist (Richard Carlson) writes a series of hate-filled articles about the two prisoners which eventually lead to a brutal lynching.The despair of the lower middle-class: A family man ashamed of being unemployed allows himself to be convinced by a gangster to take part in a kidnapping. The police arrests them both and the anger of the small town’s population is unforgiving. THE SOUND OF FURY is a dark crime movie that builds up to an apocalyptic storm, but never loses sight of social realities, thus telling a lot about the daily despair of the working-class. A masterpiece, it was Cy Endfield’s last film before he felt compelled to move to Britain.
