一不留神杨宝财（李彧 饰）人称钻石王老五，午夜经多年打拼成为业界佼佼者。说难听点就是个暴发户，午夜看上他的姑娘也很多，但他都认为人家看中的是他的钱财而非人。他刚刚和女友米粒（范文芳 饰）分手，把俩人交往期间的所有物品当拉圾般扔掉。不料所扔物品被废品专家（刘桦 饰）捡到，认为这些东西很有价值，打算高价出售。米粒其实是一个性情温婉单纯的瑜珈教练，爱上其貌不扬的杨宝财纯属偶然，她骨子里是那种追求童话般生活的天真女孩。范大师（苖圃 饰）是个天生的结婚狂，她玩弄各种富商与股掌之间，伹看似正义之举的背后往往是搬起石头砸了自已的脚……
林爽
回复 :在手機及互聯網泛濫的年代，傳統而戆直的武德輝(李思捷飾)，只想帶同渴求出國旅遊的妻兒，到十五年前求婚、連Wi-Fi 都没有的荒野營地，慶祝一番; 誰料卻引來了帶著半生誤解及鄙視的車神父親、廚神賢母、神怪搗蛋大哥！還有活於冷漠科技世界的富豪、神秘的營地管理人、兒時的初戀! 而德輝更誤打誤撞，把自家的Wi-Fi 蛋與傳說中的神秘巨鳥的蛋調換了...透過不崇尚科技、講求默契關愛的團隊比賽，父子、眾人能否冰釋前嫌 ?
亚伦卡特
回复 :荞菜节是居住在云南文山州、总人口仅2000多人的彝族支系花倮人最隆重的节日，吹祖辈传承下来的葫芦笙、跳被列为中国第一批国家级非物质文化遗产名录的葫芦笙舞是荞菜节的传统，本片是一部围绕花倮人葫芦笙舞的传承展开故事情节的农村题材、少数民族题材爱情故事片：葫芦笙传承人乌和老爹让女儿阿娜乌招亲做花倮人葫芦笙传承人，阿娜乌为获得真爱远走他乡，一家人千里相思二十余载难聚首，乌和老爹的孙女乌玛索为让爷爷和姑妈阿娜乌尽释前嫌重续亲情而努力时，做着歌星梦外出闯荡的比阿乌回到花倮寨，向乌玛索求婚，致富能手阿迪也深爱着为使花倮人的生活更加和谐、幸福、美满倾心尽力的乌玛索，而他们的小伙伴阿依嫫恋着比阿乌，木果、木实又同时爱上天生丽质的阿依嫫，乌和老爹为圆旧梦，又给这几个青梅竹马的年青人的爱情设下“明碉暗堡”，错综复杂的爱情争夺战正酣，阿娜乌突然回家，一家三代人的生离死别震撼着乌玛索、比阿乌、阿迪、阿依嫫、木果、木实的内心世界，他们踏上了刻骨铭心、生死不渝的情感旅程。
董运昌
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
