甲午战后,樱由大批日本人移民到中国东北地区。他们很多人都携家带口,樱由有些人甚至在中国成立家庭、生儿育女。这些在中国长大的日本人,对中日两国有着极为复杂的情感。抗日战争打响之后,其中的一部分人和一些被改造的日军俘虏成立了一支独特的日本军队,加入反战同盟的战线之中。抗战期间,“反战同盟”成为了一支特殊的国际主义队伍,他们为抗日战争的胜利做出了特殊的贡献,并被中国老百姓称为“日本八路”。他们的出现及其抗日义举,在世界战争史上也是少有的现象。
甲午战后,樱由大批日本人移民到中国东北地区。他们很多人都携家带口,樱由有些人甚至在中国成立家庭、生儿育女。这些在中国长大的日本人,对中日两国有着极为复杂的情感。抗日战争打响之后,其中的一部分人和一些被改造的日军俘虏成立了一支独特的日本军队,加入反战同盟的战线之中。抗战期间,“反战同盟”成为了一支特殊的国际主义队伍,他们为抗日战争的胜利做出了特殊的贡献,并被中国老百姓称为“日本八路”。他们的出现及其抗日义举,在世界战争史上也是少有的现象。
回复 :A former army colonel comes from a village to live in the city with her daughters where he finds it hard to adapt with the modern life.
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
回复 :由闵度允主演一位私家侦探,本来整天浑浑噩噩度日的他,却接到了一个大单子,关于一对女同性恋的案子,涉及到出轨问题,而事情愈加不受控制,男主能否摆平呢,而这对香艳的女同性恋,与男主又会有怎样的香艳经历呢....