草莓An anthropology professor's obsession with a paranormal mystery threatens her job, marriage, and sanity as she fights to find a missing student.
草莓An anthropology professor's obsession with a paranormal mystery threatens her job, marriage, and sanity as she fights to find a missing student.
回复 :北漂女孩应佳(刘青 饰)怀着当明星的梦想,在这座城市里靠跑剧组来寻找演戏的机会。半个月没有接到戏的她,在接到某剧组试戏通知后,跟随副导一同驱车前往郊外的艺术顾问那里试戏。试戏结束,就在他们准备回去的时候,车子却意外出了故障。无奈之下,应佳只能在郊外暂宿一晚。半夜,被噩梦惊醒的应佳发 现自己在睡梦中被剁掉一根手指。而这不过是个开始,她逃跑失败再次被囚禁在这个阴森恐怖的房间里,无意间她发现通往密室的暗门。在这密室内藏了一具与应佳长得很像的女尸。应佳明白在这精心设计的谎言背后等待她的只有死亡,只有自救才能生存。一场惊心动魄的密室逃生由此展开......
回复 :A Mexican-American couple expecting their first child relocate to a migrant farming community in 1970's California. When the wife begins to experience strange symptoms and terrifying visions, she tries to determine if it's related to a legendary curse or something more nefarious.
回复 :大概是法国第一部描写女同志的故事片吧。Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.