战败后的日本，大桥真田（志村乔饰）是名喜欢喝酒的贫民社区医生，大桥他擅长治疗肺结核。一天黑社会头目松永（三船敏郎饰）由于手上受伤找他治疗，谁知被真田看出了肺结核的症状。他劝松永去照X光检查一下，可松永不愿接受自己生病的事实，反而大骂真田一通并争执起来。但是松永回去以后症状越来越严重，拍片后证实确实是肺结核，嘴上逞强的他还是接受了真田的治疗。然而，松永的黑社会大哥冈田（山本礼三郎饰）从监狱里出来，他逐渐取代松永在黑帮里的位置并拥有了一切，病入膏肓的松永只能孤注一掷……
接招合唱团
回复 :基于Karlene Faith 所著纪实文学《The Long Prison Journey of Leslie van Houten: Life Beyond The Cult》和Ed Sanders所著小说《The Family》，讲述在震惊世界的曼森谋杀案发生后，三位曼森家族的成员Leslie Van Houten, Patricia Krenwinkel和Susan Atkins被判终身监禁，研究生Faith被派去监狱对她们进行教导，三人将重新审视噩梦般的罪行。
吴佩珊
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
娃娃
回复 :foster brother, HENRY, in San Francisco. Henry reluctantly takes him in but finds their old feud is far from extinguished. Then Bolt falls for SONYA - Henry's ex-girlfriend. As the mafia closes in, Bolt, Henry and Sonya must band together to fend off the mafia - while trying not to kill each other in the process. Written by Phil Gorn
