经历了十年动乱，国产知青丁尚彪和妻子返城回到上海，国产学业中断，身无一技之长，令他在这个充满变革的社会里举步维艰。在朋友的鼓励下，丁尚彪于1989年6月飞往彼岸的日本，开始了求学创业之路。在北海道的阿寒町，他和一众同胞为了未来努力学习，最后却不得不迫于生计逃离这里，成为一名非法滞留者。在此期间，他的想法发生转变，眼见自己的学业无望，于是丁将全部心血花在女儿身上。拼尽全力打工，只为将女儿送往美国留学。15年的日本岁月，一家人天各一方，辛酸、喜悦、误会、理解，万般情感，言语难尽……本片为系列纪录片《我们的留学生活——在日本的日子》收官之作。
白玉昆
回复 :根据真实历史事件改编。1943年，在忍受了四年灭绝人性的摧残、杀戮之后，有血性的华沙犹太儿女终于揭竿而起，武装对抗德国纳粹的残暴统治……由于没走出犹太人隔离区，势单力薄兼武器短缺，起义终遭残酷镇压。其间一群支持并追随各自所爱男子为“捍卫犹太民族的荣誉”而战的犹太女子的勇敢、顽强尤其令人肃然起敬。二战犹太人题材电视电影经典片。美国导演乔恩·阿维奈（Jon Avnet）代表作。
谢巧丹
回复 :50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
天织堂
回复 :该片讲述了把音乐当做唯一的朋友的"有莉"，偶然间与"多慧"的特别家族相遇并开始真正成长的喜剧故事。
