剧情简介
《查无此人》为《杀了我》续集，延续上集的故事。死里逃生的司徒乾（林子闳饰）为了能拥有一个身份可以和陈琳（丁巧唯饰）结婚，接受了意欲求死的前雇佣兵柯博文（郭鑫饰）的委托，杀死他。为了能完成任务，司徒乾请来了金牌杀手（刘俊纬饰）一起行动，一场惊心动魄的冒险之旅自此开始。
妻子的情人
《查无此人》为《杀了我》续集，延续上集的故事。死里逃生的司徒乾（林子闳饰）为了能拥有一个身份可以和陈琳（丁巧唯饰）结婚，接受了意欲求死的前雇佣兵柯博文（郭鑫饰）的委托，杀死他。为了能完成任务，司徒乾请来了金牌杀手（刘俊纬饰）一起行动，一场惊心动魄的冒险之旅自此开始。
方伊琪
回复 :影片根据安东尼·约翰斯顿（Antony Johnston）的同名小说改编，讲述了“冷战”结束前的间谍行动：1989年，民主德国局势发生急剧变化，“柏林墙”面临拆除的命运，但此时也是最黑暗的时刻，各种暗杀行动时有发生。一位英国军情六处的地下官员在柏林遇刺，他掌握了从民主德国带回来的一份间谍名单，但杀手在他身上并未找到。一位名叫洛林·布劳顿（塞隆 饰）的特工，肩负起找回这份间谍名单的任务。此前曾报道，导演雷奇和斯塔尔斯基将会拍摄《疾速追杀》续集，基努·里维斯在内的主演均将回归。但在拍摄该片之前，两人会先着手将这部女性角色挑大梁的动作惊悚片搬上银幕。
李彩桦
回复 :高中生齐落梦想学芭蕾舞，这与奶奶的期望相冲突，祖孙矛盾导致她自闭抑郁。母亲周百惠求助心理咨询师林展信，在治愈齐落的同时也揭开了一个家庭秘密，最终打开了所有人的心结。
何平
回复 :哥伦比亚新浪潮导演Carlos Mayolo的长片处女作，一部哥特风格的幻想片，获葡萄牙幻想电影节最佳女主角和最佳影片提名。是导演向Roman Polanski的《Rosemary's Baby》致敬的作品。"Flesh of your flesh" is a political allegory trhough a love story, framed into the magical colombian universe. In 1955, in the middle of a military dictatorship, a teenage girl seduces her brother and due to their incestous relationship the lovers are possessed by the ghosts of their ancestors. The two youngsters become vampirical and criminal creatures like those created by the colombian "violencia", mingling with the mythological beings of the countryside like "drafts" and other ghost sowing fear into the heart of men.Directed by Carlos Mayolo. Centers on a wealthy family fighting over the last testament of a just-deceased matriarch. From there, the family members are shown to have an incestuous relationship, and eventually vampires come into the picture, as well as unbridled slaughter.Tropical Gothic Baroque. An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy.
