现年30多岁的大高是竞技叠杯世界冠军，茜志全球各地的年轻人都在挑战他，茜志试图打破他创下的世界纪录。在此期间，与大高长期交往并照顾其日常生活起居的女友决定结束两人的恋爱关系。大高失去了女友，就像蝙蝠侠没有了阿尔弗雷德一样，因为这个竞技叠杯界中的王者，在现实生活中严重缺乏自理能力。大高不但要对抗竞技叠杯的后起之秀，作为万众瞩目的世界冠军，他还需要学习基本的生活技能，包括洗衣、拖地、熨烫、购物、修理水泵，以及处理其他琐碎的日常事务。这些琐事对一般人来说很简单，但对这位竞技叠杯大师来说，却成了一场艰苦的鏖战。然而，他面临的最大挑战，是如何挽回女友的心。
张智华
回复 :在这部纪录片中，埃及考古学家们搜寻一座被掩埋的金字塔。他们掘开尘封的历史，发现了 4000 多年前的坟墓和文物。
洪荣宏
回复 :一位塞尔维亚舞厅舞者与朋友的哥哥经历了一场意外而激烈的24小时。
倪琳
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
