美丽的女子苏芮缇被鬼魂困在家中不得自由，男生她深深思念真心所爱的天才诗人杰德夫·沃玛（Aftab Shivdasani 饰）。此前他们凭借书信交流，男生虽未谋面但互属忠意。无奈相爱之人不相见，杰德夫以为苏芮缇早已死去，沉浸在无尽的痛苦中不能自拔。在忠诚的仆人布拿的帮助下，苏芮缇持着圣物趁夜逃遁，却经历了最为恐怖的夜晚。另一方面，在一片豪华庄园内，杰德夫思念爱人，愁眉不展，任凭妹妹卡伦娜如何规劝。某天，他独自骑马去郊外排遣心中郁结，却在河边发现一名昏迷的女子。他将女子带回家，似曾相识的感觉让他心中若有所动，而接下来的故事朝着不可预测的方向发展……
静物乐团
回复 :阿全是一个社会白领，每天做着同样的工作，走同样的路，生活一尘不变，性格孤僻，冷漠的一个人。他的工作就是接电话。女孩思琴本身是一个性格开朗，乐观，对生活充满了信心，也是一名电话接听员，对于所有的客户，都非常可亲，认真的对待每一天。可是因为与阿全的认识，女孩思琴犹豫再三决定不再帮老板完成后面的任务。并且两人得到了一种相互的救赎。
王绍伟
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
赵之璧
回复 :亚历克斯·帕蒂弗(《关键第四号》《魔力麦克》)、夏洛特·勒·邦(《云中行走》《伊夫圣罗兰传》)加盟科幻新片《警告》(Warning)，詹姆斯·达西、劳拉·哈里尔、梅纳·马苏德(《阿拉丁》)参演，艺术家Agata Alexander献出电影长片导演首秀，并与Rob Michaelson、Jason Kaye编写剧本，冬季罗马尼亚开拍。该片风格类似《黑镜》，设定在不远的将来的地球上，探讨当截然不同的生活发生碰撞时，孤独、死亡和生命的意义。
