剧情简介
功成名就的筱月桂从没忘记要寻找杀死常力雄，也就是她女儿父亲的凶手当她发现自己爱上黄佩玉时，也证实了“洪门内奸的真正身份”......她与常爷的前跟班余其扬合谋除去内奸，助余其扬成为洪门第一个银行家，新的“上海王”。时过多年，筱月桂女儿常荔荔从美国学成归来，迷上电影，在母亲等人的帮助下，成为轰动一时的大明星。一次意外，筱月桂撞破女儿与余其扬的关系......三个人的命运也自此改变。
我曾来过
功成名就的筱月桂从没忘记要寻找杀死常力雄，也就是她女儿父亲的凶手当她发现自己爱上黄佩玉时，也证实了“洪门内奸的真正身份”......她与常爷的前跟班余其扬合谋除去内奸，助余其扬成为洪门第一个银行家，新的“上海王”。时过多年，筱月桂女儿常荔荔从美国学成归来，迷上电影，在母亲等人的帮助下，成为轰动一时的大明星。一次意外，筱月桂撞破女儿与余其扬的关系......三个人的命运也自此改变。
尚保罗
回复 :故事讲述德维尼饰演的银行家事业失败、情场失意，他试图通过神奇的“魔法训练营”回到自己的少年时期，找回自信，重塑人生。
车婉婉
回复 :雄狮回来了！这次他遇到拥有强大政治及宗教力量的对手，他会如何铲奸除恶，又会有什么罗曼史发生在他身上呢？让我们拭目以待！
李家明
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
