剧情简介
影片由阿什利·阿维斯自编自导，武神故事基于安娜·休厄尔1877年完成的同名畅销小说改编。原小说以“黑神驹”的视角进行第一人称表达，武神描绘出一部属于“黑神驹”的自传体回忆录。影片将着重描绘17岁女孩乔(弗依饰)与“黑神驹”(温斯莱特配音)间深厚的情感纽带，是“黑神驹”使乔走出了父母离世的精神创伤。
武神苏乞儿之黄金海盗
影片由阿什利·阿维斯自编自导，武神故事基于安娜·休厄尔1877年完成的同名畅销小说改编。原小说以“黑神驹”的视角进行第一人称表达，武神描绘出一部属于“黑神驹”的自传体回忆录。影片将着重描绘17岁女孩乔(弗依饰)与“黑神驹”(温斯莱特配音)间深厚的情感纽带，是“黑神驹”使乔走出了父母离世的精神创伤。
侯佩岑
回复 :夜里，陈父被铃木惠子枪杀。女儿陈美丽一觉醒来，发现已经是5年后，5年间的记忆居然全无。所有的信息都只能从阿亮口中得知。当陈美丽意外从口袋里发现一张写着“别相信他”的纸条时，开始怀疑阿亮。陈美丽假借拥抱阿亮取走了他的手枪，却在没注意之时，又被阿亮夺回手枪。急中生智的她选择跳窗而逃，最后却被阿亮逮于一所民宅。铃木惠子警告阿亮要再三小心。第二日，当失忆的陈美丽再次看到“别相信他”的纸条时，再次选择了逃跑，途中被万小白搭救。夜里，万小白的朋友孟飞对陈美丽实施催眠，助其找回记忆，并得知日本人的试验计划全在山田实验室。可惜到了第二天，陈美丽又失去了记忆，当她看到“别相信他”的纸条时，又对万小白产生了怀疑，遂逃跑，却碰见正在四处寻找陈美丽的阿亮。阿亮使用花言巧语迷惑陈美丽，又成功捕获万小白。当受到阿亮的蛊惑，陈美丽错手杀死万小白。后来，其实一直假装失忆的陈美丽将计就计，被送往山田实验室。陈美丽在众人睡觉之时搜查档案被发现，只有拿出枪械威胁山田交出档案，不料却阴差阳错放走了山田。陈美丽就要被杀的千钧一发之际，万小白赶来搭救。赶来的铃木惠子一枪解决了万小白，并给想立功的阿亮机会宰杀陈美丽，不想阿亮反过来打死了铃木惠子和山田杏子。原来，一切都是阿亮的计划。
李圣杰
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
宇恒蕃茄女孩
回复 :这是一部非常真实的超级英雄电影，论日系少女如何用大（中）爱（二）唤醒一个超级英雄。情节设计丝毫不亚于好莱坞，不时有意式小幽默。影片十分注重人物的塑造，主人公原来只是小偷，核废料让他意外获得超能力，但他并没有想去拯救世界，只想用这种超能力继续干偷抢的勾当，而女孩才是让他真正成为英雄的存在，节奏十足，意大利风情混搭日系萝莉风，疯狂又真实的片子，感觉看到了人性的善良和丑恶的融合..
