游戏天才常瞬性格高傲自负、线中文字幕倔强叛逆、线中文字幕目中无人，在网瘾戒治中心处处不配合所谓的“治疗”，最终受到最大电量的电击惩罚，心跳停止。再次醒来的常瞬发现自己身处于一个没有警局、没有医院的奇异世界，成为神秘组织的成员孤雁的“财产”，一旦被召唤必须立刻赶赴竞技场进行比赛，否则将接受蛇环的惩罚。常瞬在团队中我行我素，仗着技术超群，在游戏中霸道抢占发育资源，只要求队友配合自己，却从不听队长指挥或配合队友导致队伍团灭落败。落败的孤雁队依据规则需处死一人，孤雁选择常瞬，赵鹤却以队长之职站出来，主动代替常瞬死去，赵鹤希望以自己的死触动常瞬，让常瞬改变自我，协助孤雁获得胜利拯救竞技场。在队友燕枫和赵鹤留下的影像资料的开导下，常瞬认识到电竞是一个团队游戏，靠一个人不可能永远成功，只有获得伙伴的协助才能取得最终胜利。于是常瞬率领队友以失败之组对阵花背，在这场艰巨挑战中，一旦落败就...
纪宝如
回复 :Sam et Stéphane, deux amis d’enfance fabriquent avec succès des skis haut de gamme jusqu’au jour où leur entreprise est menacée. Pour la sauver, ils se lancent dans un pari fou qualifier Sam aux Jeux Olympiques pour l’Algérie, le pays de son père. Au-delà de l’exploit sportif, ce défi improbable va pousser Sam à renouer avec une partie de ses racines.
迈克尔勃顿
回复 :影片讲述上世纪60年代西方性解放运动来临之前，受过良好教育且深爱对方的两位年轻人在面对新婚初夜时，因担忧和恐惧而产生误解，最终分道扬镳、终身不再来往的故事。
腰乐队
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
