曾有过一次失败婚姻的上班族加贺美淳（安田显 饰）和第二任妻子千惠（荣仓奈奈 饰）已经结婚三年了，奇蛋对他来说“三年之痒”近在眼前，奇蛋他和妻子都必须好好考虑一下是否有必要继续维持这段婚姻。某晚下班回家，加贺美恐惧地发现千惠倒在血泊之中，但他很快发现，原来妻子在用这种方法逗他开心。原本以为只是一时兴起而为之，谁知此后每天千惠都要花样百出地死在加贺美面前。加贺美一面费尽心力配合老婆的演出，一面还要苦苦思索千惠这番作为背后的真意。为此他向职场好友佐野（大谷亮平 饰）大吐苦水，然而对方看似美满的婚姻也有着无法逾越的鸿沟。妻子的表演仍在继续，他们的婚姻将何去何从……电影取材自2010年在日本雅虎知惠袋上的提问，提问者写下的妻子奇特行为当时在网络上引起很大反响。
刘若英
回复 :吞噬人的黑洞，是源自人性受傾軋而誘發的瘋癲本片入選2019 富川奇幻影展導演：卓立主演：溫貞菱、蔡淑臻劇情簡介：年輕女子朱婷住在一個對住戶整潔有嚴格要求的社區，數次未達標準。朱婷被房東太太下了最後通牒，必須在管理處下次造訪時讓住家窗明几淨。朱婷使盡全力，唯獨就是無法抹去牆上的一塊黑色汙漬，甚至到處蔓延開來，逼得朱婷不得不使用極端的方法 …
道贤
回复 :彼得刚出狱回到家乡，自觉好日子又开始了。他在姊姊的洗衣店见到正在生产的玛雅。冀望靠一个孩子留住生命中某些东西的姊姊，买下玛雅生的男婴。狂野不羁的玛雅和彼得周遭的人都牵扯不清，彼得跟她终日斯混，也深深被她吸引。等到玛雅想要回儿子，彼得发现自己卡在她和姊姊之间左右为难，觉得美好时光彷佛已逐渐消失。
大森洋平
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
