一个普通到不能再普通的独居老人张东莱终日与狗相伴，白虎这只精神支柱名为“良心”的狗却失踪了。 独自寻狗吃瘪的他找来怯懦的昔日好友赵国明和往日并不对付的邻居刘华明同寻狗，白虎按照丢狗线索变装潮牌达人层层揭秘。三人根据线索身穿自制反主流潮牌，混入时装周，成为领衔时尚的艺术大师;为见到偷狗元凶，三人化身流行歌手参加地下音乐比赛，凭本事圈粉、力压一众小鲜肉夺得冠军杯商业包装;三人一路追逐误入摩托竞速赛，丢下小绵羊电动车，身海明威硬汉，骑上帅气的跨子，甩尾飞车党一路追击，通力配合终于将狗寻回人因寻狗之旅消解隔阂，告别孤独成为了更好的自己，名副其实的“潮牌大叔”。狗虽因难产死去，但小狗的出生又给张东莱的人生带来新的希望。
林育群
回复 :A company that produces a toxic chemical tries to improve its image via a popular spokesperson, Ricky Coogan. Ricky travels to South America to get a first-hand look at the chemical's effects and finds himself at a mutant freak farm. Elijah, who runs the farm, is only too happy to have new subjects on which to try his freak machine. The very chemical that Ricky is supposed to promote is the one responsible for creating the great variety of freaks.
李泉
回复 :A young woman and her friends whove been targeted by kidnappers must do everything they can to survive after their limo is forced off the road and plunged into a canal.
林显丞
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
