布莱德·科维在海岸边神秘失踪,精品原因不明。多年后,一个U盘将改变埃莉诺·班尼特的生活。
布莱德·科维在海岸边神秘失踪,精品原因不明。多年后,一个U盘将改变埃莉诺·班尼特的生活。
回复 :本剧改编自树优马的漫画,讲述了入社第5年的高桥皋月被课长命令照顾年轻貌美的正式员工安西梨梨香,但是她完全不能工作,因此纱月的业务只增加。有天,纱月发现梨梨香和课长是情人关系,自己却因梨梨香而不得不加班,最终无法赴男友的约,只能苦吞眼泪。这时朴素的派遣员工三枝玲过来搭话说:“社内出轨是应该被清除的麻烦行为。如果有人能拆散他们就好了…” 留下这意味深长的话后离去。三枝玲他们的“清洗”开始了!
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回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?