女强人周佳宁，少妇总能摆平属下做不成的事情。在各种各样的生意间游刃有余。 她常常会回到一家咖啡厅，少妇喝着不如星巴克的廉价咖啡，听着恋人们流传的那个“星期二女孩”的故事。而她是故事的主角。 当年在校园的周佳宁远不如现在的风光，她领着补助金，图书馆做兼职，被恶毒白富美的排挤。简单朴素平凡的她终于遇到那个只为在人群中多看一眼的他！这一眼，一见钟情...... 生活是什么？有的哭笑叫闹着开场，有的没声音留着眼泪悄悄结束。爱情呢？也许，就是这样吧。
图腾
回复 :讲述乾隆皇（刘永）与翰林院大学士左都御史刘墉（李昆）妙趣横生的斗智经过。刘狡猾多计、口才了得，常难倒乾隆。乾隆心中不忿，藉画师画肖像时，假意困倦，叫刘代穿龙袍让画师描绘，然后刻意刁难，指刘有意谋私。刘人急智生，妙语如珠，又一次令乾隆语塞。
陈冠宇
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
仓木麻衣
回复 :川村俊介在工作的房地产公司的营业成绩是No.1，深受上司和同事的信赖，甚至决定和社长的千金结婚。婚礼前夜的惊喜派对结束后，酩酊大醉的他在回家的路上意外掉进了窨井里，手边只有手机。但是GPS会出错，熟人和警察也不可靠。时限的黎明迫近中，他呼吁唯一能通话的前女友和在SNS上建立账号的粉丝们帮忙，但事态却朝着意料之外的方向发展。
