宅男Genuine but increasingly insecure Pete is cautiously excited about reuniting with his college crew for a birthday weekend of memories, partying and earnest reconnection at a picturesque English manor.
宅男Genuine but increasingly insecure Pete is cautiously excited about reuniting with his college crew for a birthday weekend of memories, partying and earnest reconnection at a picturesque English manor.
回复 :PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
回复 :2002年,音乐学院大四的学生孟凡(关智斌 饰)在一次比赛上凭借原创歌曲《对不起,我爱你》一举夺得冠军,自此声名鹊起,还抱得美人归,与出色的女生何盈(何美钿 饰)在一起。几年后,他仍然无法创作出一首全新的代表作,爱情又迟滞不前。一天在网上看见一个叫“荒村”的地方,里面有一个“荒村客栈”,流传着关于明代一个叫胭脂的女子的故事。据说睡在明代那张床上,半夜会听见胭脂的歌声。孟凡决定前去寻找灵感,同时与何盈分手。荒村客栈的店主欧阳(薛山 饰)热情欢迎孟凡,在孟凡的要求下住进了胭脂的房间。孟凡开始见到明朝的鬼影,又噩梦连连。何盈来到荒村找孟凡,却被孟凡伤透心。欧阳跟孟凡讲起自己和妻子小枝(张檬 饰)的故事。不过渐渐地,孟凡发现,小枝这个人根本不存在。故事的最后,我们发现,一切都是因为那一首歌——《对不起,我爱你》。
回复 :两支专家团队不遗余力,在野外研究鲨鱼科学。他们调查了两项最具象征性的鲨鱼超能力—速度和咬合力。在加州,安迪卡萨格兰德试着找出世界上最快鲨鱼的最高速度。