苍春
苍春
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
回复 :儿女们都大了,各自成家。父亲周吉(笠智众饰)和老伴(东山千荣子饰)要去东京看望他们,老两口带着愉快心情上路。可另一边,还没等他们到大儿子家,孙子就因为爷爷奶奶到来腾地方哭闹不停。老人开始觉得尴尬,大儿子幸一(山村聪饰)在东京当医生,二女儿繁(杉村春子饰)在东京开美容店,二儿媳纪子(原节子饰),小女儿京子(香川京子饰)外,大阪还有三子敬三。东京让老人陌生,在儿女家也好不到哪去。大儿子工作繁忙,没时间带他们出去玩。搬到女儿家,依旧每日困守且有矛盾。老两口渐渐也明白儿女们的处境,他们在东京的老友也过得不好。只有守寡的儿媳纪子对老人很是孝顺。之后老人踏上回家的路,前后不过十天……
回复 :自小习咏春的妙兰与入序的唐傲育有一子南生。唐傲神秘身份为精武会英雄。唐傲在一次行动中发现洋人偷运国宝中国出境,唐傲寡不敌众,被西洋拳手狠狠打中头部,他连同大唐帝王玉玺跳海逃生。与此同时,数名洋人杀手找上妙兰一家。妙兰见状立即带同南生逃亡,到广东郭天的杂货铺找寻丈夫下落。头部受到的重击,使唐傲的记忆间歇性消失妙兰,南生到达郭天的杂货铺拿出密函,表明来意。郭天指唐傲是次行动失败,无人知晓唐傲去向。郭天建议妙兰南生暂时住在杂货铺。妙兰没有选择,只好答应。郭天计划捣破洋人偷运国宝的行动。行动期间洋人拳手在杂领铺出现捉走南生,震东阻止不到还受了伤。又廷妙兰完成任务得知南生被捉。妙兰大惊,要四出寻找儿子。唐傲刚好到达杂货铺,妙兰立即追问唐傲之前发生的事。唐傲未能立刻想起她是谁。妙兰激动差点把唐傲身上玉玺撞倒地上,唐傲情急还手,又廷上前阻止。唐傲又廷对打,战斗中唐傲功夫及记忆渐渐恢复。他终能叫出妙兰的名字。二人正式相认,唐傲知道儿子被捉。郭天用计叫又廷先救南生,最后南生和妙兰安然无恙,但唐傲生死未卜消失于火海。