在欠债一变态毒枭,春暖三个绝望的年轻人被迫实施的公然抢劫。什么开始作为一个简单的计划:春暖在七分钟迅速升级为一个危险的游戏,生或死。作为抢劫的每分钟运转的,真正的动机是揭示和意想不到的曲折加大赌注一个激动人心的高潮。
在欠债一变态毒枭,春暖三个绝望的年轻人被迫实施的公然抢劫。什么开始作为一个简单的计划:春暖在七分钟迅速升级为一个危险的游戏,生或死。作为抢劫的每分钟运转的,真正的动机是揭示和意想不到的曲折加大赌注一个激动人心的高潮。
回复 :Witches don't die before leaving their legacy.
回复 :The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
回复 :被很多人忽略的优秀恐怖片。电影开始时,保姆被变态狂人电话骚扰叫她当心孩子的安全。