《可爱的中国》是上影集团向新中国成立60周年重点献礼影片,求求该片已被中宣部和国家广电总局列为“庆祝新中国成立60周年影片第二批重点推荐影片”。《可爱的中国》以三段式的结构,求求用方志敏同志的《血肉》、《清贫》、《可爱的中国》三篇文章标题为基础构筑全片,通过红十军突围、被捕前后、狱中斗争等时空交叉,讲述方志敏同志伟大而感人的一生。影片以波澜壮阔的战争场面,坚定不移的理想信念,感人肺腑的清廉行为,令人信服的高尚人格,塑造了一代伟人方志敏的光辉形象。
《可爱的中国》是上影集团向新中国成立60周年重点献礼影片,求求该片已被中宣部和国家广电总局列为“庆祝新中国成立60周年影片第二批重点推荐影片”。《可爱的中国》以三段式的结构,求求用方志敏同志的《血肉》、《清贫》、《可爱的中国》三篇文章标题为基础构筑全片,通过红十军突围、被捕前后、狱中斗争等时空交叉,讲述方志敏同志伟大而感人的一生。影片以波澜壮阔的战争场面,坚定不移的理想信念,感人肺腑的清廉行为,令人信服的高尚人格,塑造了一代伟人方志敏的光辉形象。
回复 :50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
回复 :影片讲述了空巢老人刘忠实苦苦等待儿子回家的故事。儿子刘晓义长大成人并在城里有了自己的家,忙碌的他却不曾留意家乡的父亲已日渐苍老,如山背影不在,而老人最大的安慰不过是一顿简单的团圆饭。影片意在呼吁社会关注“空巢老人”现象,提醒为人子女上善父母,给予不如陪伴,陪伴是最长情的爱。
回复 :藏剑山庄庄主之女剑如冰请求素还真帮助自己寻找宝物“磁雷导引”,于是,素还真和好友青阳子踏上了旅途。剑如冰的父亲剑上卿因遭到异种“非善类”的迫害导致家破人亡,自己也容貌尽毁武功全失。剑上卿将痛苦和仇恨投射到了当时未能助她一臂之力的素还真身上,一心想要吃之而后快。剑上卿利用了傲笑红尘对正义的追求和对剑如冰的感情,傲笑红尘在剑上卿的教唆之下和素还真展开了对决。实际上,剑上卿想要得到拥有神秘力量的天问石,重新夺回称霸武林的地位。为此,剑上卿甚至不惜牺牲了女儿的性命。就在剑上卿的阴谋最终得逞之际,素还真和得知了真相的傲笑红尘赶到,一场大战拉开序幕。