范尼（芭芭拉·史翠珊 Barbra Streisand 饰）是出生在社会底层的贫穷少女，午夜困顿的生活并没有磨灭她向往自由的意志，午夜无论活得多么卑微和艰难，她都坚信自己有一天能够飞上枝头变凤凰。一直以来，范尼都不懈的磨炼着技艺，希望有人能够看到她的闪光点。终于，歌舞大王齐格飞（沃尔特·皮金 Walter Pidgeon 饰）在范尼的身上看到了她成为巨星的潜质，在齐格飞的挖掘和培养之下，范尼终于实现了梦想，成为了闪耀的巨星。然而，事业的成功却并没有给她带来满足，感情上的不顺始终困扰着她，最终化为了她的心结。即便是最为光辉闪耀的日子里，范尼也依然被痛苦和绝望所缠绕。
吴百伦
回复 :四名女学生沈迷于银仙游戏，可是在玩毕后，邪门之事接踵而来。其中阿May与晴相约打机，阿May玩跳舞机时突然不能自制，被神秘力量令她跳至脚肿才能停止，后来更在半梦半醒之间似觉被污辱多次。晴则在来机铺认识一男子，两人感情发展顺利，而晴问银仙有关她与男子的事，银仙均表示赞同。正当二人同往探望病愈的阿May 时，阿May见该男子后即表现得非常惊恐，而该男子亦终于展露出狰狞面孔……
邓建明
回复 :讲述一个关于两家肉乾家族对抗，继而从中描述家人之间的爱，朋友之间的信，情侣之间的情以及冤家之间的怨，而这一切一切的关系都源自两家家长的上一代恩怨，一直纠扯到现在，而且也影响了下一代之间的趣事。
第七乐章
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
