和田光沙、粘液友田彩也香、粘液葉山美空,她們在片中飾演個性截然不同的三姊妹。很愛算命的次女友田,因為晚熟老是失戀。但身為姊姊的和田也沒好到哪去,自以為戀愛手段高明的她,其實沒什麼男人緣。姊姊的戀情不遂,也舒緩了友田的失戀之痛。而老三妹妹葉山,簡直就是個超級大宅女,幾乎足不出戶,整天只待在房間看色情漫畫。但某天,友田參加公司聚會後,竟把喝醉酒的男同事帶回家……
和田光沙、粘液友田彩也香、粘液葉山美空,她們在片中飾演個性截然不同的三姊妹。很愛算命的次女友田,因為晚熟老是失戀。但身為姊姊的和田也沒好到哪去,自以為戀愛手段高明的她,其實沒什麼男人緣。姊姊的戀情不遂,也舒緩了友田的失戀之痛。而老三妹妹葉山,簡直就是個超級大宅女,幾乎足不出戶,整天只待在房間看色情漫畫。但某天,友田參加公司聚會後,竟把喝醉酒的男同事帶回家……
回复 :脑中的幻想角色来到真实世界,会发生怎样的故事?一名小女孩发现自己拥有奇异能力,竟能看到别人幻想出来的“友友”。而“友友”们也遭遇了生存难题:随着想象出他们的孩子已经长大,“友友”们逐渐被人遗忘,需要新的孩子们救赎,一场全新的冒险也就此开启。
回复 :Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.
回复 :一部像邀请某人到家的电影。在他位于圣保罗的公寓里,在煮咖啡和同性恋勾搭之间,马塞洛的迷恋和渴望被随意地、充满激情地展现出来。马塞洛最亲密的知己似乎是书,尤其是诺瓦利斯未完成的小说《海因里希·冯·奥特丁根》,其主人公寻求一朵难以捉摸的蓝色花朵。马塞洛也在寻找一些东西,追踪他那多事之秋的痕迹。摄像机观察他,全神贯注地捕捉他的故事,直到一个简单的全景拍摄开始重演他的传记中的一章。马塞洛的话只是名义上似乎占据了中心地位,因为他的身体运动实际上透露了更多,他们是记忆的执行水库。马塞洛的公寓因此成为了他人生的舞台——闪闪发光、有趣、有趣、严肃和真诚。导演Vinagre和Carneiro使用的纪录片舞台从平面的独立宇宙中创造出一个完整的多层宇宙。一幅蓝色玫瑰不仅仅是一幅心胸开阔、亲密的肖像,更是一部像蓝色花瓣的电影,同时又温柔又迷人。