《决胜荒野》是一档真实的野外生存竞技节目，青娱不仅展现了探险家们面临的艰难险境，青娱还突显了生存专家在竞技压力下的个人特技。本季《决胜荒野之华夏秘境》除了维持上一季精良的国际制作、紧张刺激的竞赛节奏以外，更是将赛场搬到了中国，来自全球顶级的生存专家，将在这片充满东方色彩的土地上展开优胜角逐。本季节目的竞赛场景主要集中在中国的陕西、甘肃、四川、云南、广东等地，这些地区以多样的地理环境、独特的自然资源而闻名。从宣传片中可以看到，德爷的挑战将在连绵险峻的群山天坑、寸步难行的雪地冰川、万里无边的沙漠沼泽、暗含危机的海洋岛屿，同时还有极端恶劣的天气和生存环境等情况下进行，所到之处风景壮丽但又处处暗含危机。究竟谁才是野外生存领域的王者，让我们拭目以待吧！
申彗星
回复 :《荒野纵横》是由厦门小题影视有限公司和北京地球密码文化传播有限公司联合出品的新栏目，是一档轻探险旅行纪录片。其中第一季《阴山暮歌》围绕着阴山山脉沿线的内蒙古巴彦淖尔地区，在熊队（田小禾）带领下，5天、5辆车、15个人，以独特的视角呈现阴山附近不同地形、路况、风景、人文，揭开那些鲜为人知的阴山过往。同时，做一些路线和露营地的盘点，为乌拉特后旗旅游服务中心，定制一条适合大家轻探险、重拍摄、重体验的自驾露营路线，并实现为人道主义救援。
沈婷
回复 :《#能干的猫今天也忧郁#》是漫画作者山田ヒツジ(山田羊) 连载的少年漫画作品。该漫画宣布TV动画化~
何忻翰
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
