张金胜（高飞饰）、无悔马辉（卢惠光饰）、无悔王彪及霍强为结拜好友，一起打劫珠宝行入狱，行将获释时，四人却在监狱饭堂与另一帮囚犯争执打斗，辉三人被加刑两星期，胜如期出狱。胜前往埋藏珠宝地挖掘藏物，但珠宝却不翼而飞，遂前往狱中告诉辉等人，三人一口咬定胜独吞珠宝，胜无可解释，唯有逃走。私家侦探林韻诗（刘嘉玲饰）为了调查珠宝下落，籍故结识胜，并与胜一同离港。辉三人出狱后告示寻胜，胜四处逃亡，并与韻彻力侦查，发现原来辉与金大枝合谋，早将珠宝掘出，布下圈套嫁祸胜，于是胜与其他兄弟同陈、辉等斗智斗力...
周慧敏
回复 :大阪南部，松之木组·平川组行动队长橘孝（石橋凌 饰）在餐馆刺杀敌对组织佐藤组·北心会会长，随后自首，入狱十年。服刑期间，外面的世界发生巨大变化。橘孝的妻子带着女儿改嫁，《暴对法》的颁布也迫使黑帮尽可能用和平的手段摆平纷争，赚钱成了首要目的。出狱后，橘孝虽然受到热烈欢迎，但崇尚古派仁义的他显然成了多余之人。落寞之时，他结识了应召女郎田岛雪（沢木麻美 饰）。雪的男友是隶属北心会的一个粗暴男子，橘孝出手相助，险些引起两派纷争，最终被平川组若头和若头助理沟桥（北見敏之 饰）压下。沟桥从事高利贷和高尔夫球场开发等事业，暗中则和隶属佐藤组的出方组合做毒品生意。橘孝深陷其中，深感痛苦，他决定退出黑道，寻找新的生活……
徐子涵
回复 :年轻时候的男主角一直有着要成为歌手的梦想，并一直在为这个梦想不断的奋斗，但最终未能如愿成为歌手。男主角的妻子因为有这样的丈夫，所以只能默默为这个家庭付出，同时也消耗了自己的青春与健康。妻子从某一瞬间开始不知不觉睡觉的情况越来越多，而且不以为然，最后检查出患上了嗜眠症。而男主角忽略家庭只为了自己的唱歌兴趣，使得妻子的病情进一步加重，想要帮助妻子缓解病情，不是一件容易的事情。
痛苦的信仰
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
