女主人公晓曼是一名自媒体人,午夜内容主打超自然力量,午夜为了挖到猛料,她孤身一人前往冰川镇搜寻雪怪踪迹。在冰川镇,晓曼偶遇野生动物保护协会成员杰森,他来寻找两名非法猎杀的猎人。此时丛林中传来令人恐惧的叫声,两人退到别墅里躲避。随后猎人也因遭受雪怪攻击逃进别墅。眼见雪怪就要闯入别墅,他们该如何逃生?
女主人公晓曼是一名自媒体人,午夜内容主打超自然力量,午夜为了挖到猛料,她孤身一人前往冰川镇搜寻雪怪踪迹。在冰川镇,晓曼偶遇野生动物保护协会成员杰森,他来寻找两名非法猎杀的猎人。此时丛林中传来令人恐惧的叫声,两人退到别墅里躲避。随后猎人也因遭受雪怪攻击逃进别墅。眼见雪怪就要闯入别墅,他们该如何逃生?
回复 :1947年,国民党反动派对我山东解放区实行重点进攻,我根据地遭到很大的破坏。方征奉地委指示经过五龙镇等地前往敌占区烽火山,组织新县委,领导群众坚持武装斗争。敌保安大队长孟复堂伙同敌五龙镇留守处处长贾虎,从叛徒那里得知了这一重要情报,奉命缉拿方征。护送方征的女交通员六年就曾搭救过方征,为此她失去了自己的女儿。在女交通员的巧计安排下,他们顺利地闯过了白云关。孟复堂闻此讯,授意范国祥和朱喜才,设下新的圈套。当女交通员来到中药铺,发现接头人是范国祥,她机智地骗过了叛徒,化险为夷。与此同时,蒋军连长朱喜才化装摸到凤仙家,正要逮捕方征时,我县委派出寻找方征的武工队高队长及时赶到,打死了朱喜才。在河边,方征等人与叛徒范国祥遭遇,经过一场激烈的搏斗,范国祥和特务被打死,但却引来了孟复堂和贾虎带领的匪兵。紧急关头,女交通员把方征等人送上了船,自己拉响手榴弹与敌人同归于尽。脱险后的方征始才得知,这位连姓名也没留下的女交通员正是当年的救命恩人。
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
回复 :塔西(赞达亚 饰)曾是网球奇才,后来转为教练,在场上和场下都有股不容忽视的强大力量。她的丈夫阿特(迈克·费斯特 饰)曾经拿下冠军但后来屡次连败,正当她计划为他挽救劣势时,发生了出乎意料的转折;她的丈夫对上了过气的帕特里克(乔什·奥康纳 饰),他曾是塔西的前男友, 同时也是她丈夫过往的死党。随着他们的过去与现在互相冲击,紧张局势随之升高,塔西必须自问,为了获胜需要付出何种代价。